The Predator
It’s been over 30 years since the Predator first stomped onto our screens, yet the inter-galactic hunter hasn’t quite had the success of his contemporaries. Even though the Predators are as instantly recognisable as Alien,
Piercing – EIFF 2018 Review
Back in 2016 Nicolas Pesce wowed with his dark debut The Eyes of My Mother, now, two years later, he follows up with quirky
Swinging Safari – EIFF 2018 Review
Since his debut feature film in 1993, Australian auteur Stephan Elliott has made 10 films, none more successful or iconic than the exuberant drag queen road movie, Priscilla Queen of the Desert. The
Possum – EIFF 2018
Possum, the debut feature film from Mathew Holness, is a decrepit psychological horror indebted to the psycho-thriller hits of the 60’s and
The Most Assassinated Woman in the World – EIFF 2018 Review
For horror enthusiasts, Franck Ribiere’s The Most Assassinated Woman in the World, a film centred around Paris’ infamously depraved Grand Guignol theatre, is an absolute treat. Part biopic, part period thriller,
Terminal – EIFF 2018 Review
Set in an unnamed futuristic city, Vaughn Stein’s debut feature Terminal is an eccentric but troubled neo-noir thriller. On paper the film sounds pretty intriguing: Margot Robbie as a dangerously ambitious assassin, Simon
Rabbit – DbD 2018
Twin Horror is one of the oldest tricks in the horror hand book. For hundreds of years folk lore and film have regarded
Downrange – DbD 2018
Back in 2014 cult Japanese director Ryuhie Kitamura delivered No One Lives, a camp pseudo-slasher with an inventive approach to gore and a
Mon Mon Mon Monsters – DbD 2018
Mon mon mon Monsters, pronounced as if Scooby Doo was saying it, is a odd horror drama about lonely high school life,
Right Place, Wrong Time: Nostalgia and the House of 1000 Corpses
Back in 2001, Rob Zombie, global heavy metal star, directed his first feature film, House of 1000 Corpses. Its schlocky exploitation soul was abandoned by producers to the whims of post-production purgatory for three years: shelved because of its freakish nature.