Festival Coverage

EIFF 2018Festival Coverage

Piercing – EIFF 2018 Review

Back in 2016 Nicolas Pesce wowed with his dark debut The Eyes of My Mother, now, two years later, he follows up with quirky

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EIFF 2018Festival Coverage

Swinging Safari – EIFF 2018 Review

Since his debut feature film in 1993, Australian auteur Stephan Elliott has made 10 films, none more successful or iconic than the exuberant drag queen road movie, Priscilla Queen of the Desert. The

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EIFF 2018Festival Coverage

The Most Assassinated Woman in the World – EIFF 2018 Review

For horror enthusiasts, Franck Ribiere’s The Most Assassinated Woman in the World, a film centred around Paris’ infamously depraved Grand Guignol theatre, is an absolute treat. Part biopic, part period thriller,

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EIFF 2018Festival Coverage

Terminal – EIFF 2018 Review

Set in an unnamed futuristic city, Vaughn Stein’s debut feature Terminal is an eccentric but troubled neo-noir thriller. On paper the film sounds pretty intriguing: Margot Robbie as a dangerously ambitious assassin, Simon

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EIFF 2017Festival Coverage

Guardians – EIFF 2017

Whilst Marvel sustains a stranglehold on action adventure films and continues to monopolise the superhero genre, reactionary releases are appearing more and more. Sarik Andreasyan’s Russian  super soldier mash up The Guardians is an enjoyably barmy example of a pulpy under-dog reaction to Marvel’s expanding universe. 

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EIFF 2017Festival Coverage

Kaleidoscope – EIFF 2017

After a handful of short films and a codirecting credit, Kaleidoscope is the powerhouse solo directing debut from Rupert Jones starring the fantastic Toby Jones (his brother) and a career best turn from veteran talent Anne Reid. 

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EIFF 2017Festival Coverage

Pilgrimage – EIFF 2017

Whilst most of the praised Irish produce of the past few years has been horror, Brendan Muldowney’s Pilgrimage provides an unforgiving trip into the rarer realm of British swords ‘n’ sandals adventure. The film follows a group of priests who leave the rural confines of their secluded abbey to escort a holy relic on a […]

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EIFF 2017Festival Coverage

Snow Woman – EIFF 2017

Ghost Woman, the debut feature film from Kiki Sugino, draws inspiriation from Japanese folklore and the classic story of Kaidan. For some viewers, the film may feel overly familiar but it’s a charming, fresh-faced, and self-aware take on an old story. Sugino draws inspiration from the two previous film adaptations, but allows her own eerie […]

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EIFF 2017Festival Coverage

Bad Kids of Crestview High – EIFF 2017

Bad Kids of Crestview High, the sequel to 2014’s Haunting at Crestview High (aka Bad Kids Go to Hell), is every bit as daft and inane as it’s predecessor. Based on Barry Werwick’s graphic novel, its a silly slasher

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EIFF 2017

Rage – EIFF 2017

Following in the footsteps of complex murder dramas like Memories of Murder and I Saw the Devil, Rage, from Japanese director Sang-il Lee, has a tense yet tender approach to traditional thrillers. In it, three seemingly unrelated stories of love and loss slowly draw together around a vicious murder. 

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