Festival Coverage

EIFF 2017Festival Coverage

Kaleidoscope – EIFF 2017

After a handful of short films and a codirecting credit, Kaleidoscope is the powerhouse solo directing debut from Rupert Jones starring the fantastic Toby Jones (his brother) and a career best turn from veteran talent Anne Reid. 

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EIFF 2017Festival Coverage

Pilgrimage – EIFF 2017

Whilst most of the praised Irish produce of the past few years has been horror, Brendan Muldowney’s Pilgrimage provides an unforgiving trip into the rarer realm of British swords ‘n’ sandals adventure. The film follows a group of priests who leave the rural confines of their secluded abbey to escort a holy relic on a […]

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Festival CoverageGFF 2017

Age of Shadows – GFF 2017

Korean director Kim Jee-Woon made a name for himself in horror, with films like A Tale of Two Sisters and gruelling serial killer thriller I Saw the Devil. From there he’s made outlandish Western The Good, the Bad, and The Weird, not to mention reintroduced Schwarzenegger in US mad action caper The Last Stand. Age of Shadows is his latest film and follows the exploits of Korean rebels seeking to overthrow Japanese invaders during the 1920’s  After an exhilarating opening the film launches straight into an exhilarating, freight train of espionage. Train […]

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Festival CoverageGFF 2017

Headshot – GFF 2017

Headshot, the latest film from Indonesian exports Timo Tjanto and Kimo Stamboel, is a rip-roaring action extravaganza and the true culmination of the directors’ passion for farce, black comedy, and action. Surprisingly the so-called Mo Brothers have remained relatively low-key, even though Headshot marks their third feature film. In their native Indonesia the directors don’t fare much better, with most of their flicks never seeing the light of a cinematic release.   It may prove the price […]

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Festival CoverageGFF 2017

The Demons – GFF 2017

French Canadian film The Demons, from director Philippe Lesage, peaks behind the curtain of suburban civility for a slow but powerful discussion on childhood, sexuality, and social relationships. In it, an adolescent boy named Felix begins to encounter the adult world in subtle, but dramatic ways.  Lesage is clearly an inquisitive and open-minded documentarian whose curiosity allows him to pry the deepest most private parts of life without seemingly rabidly intrusive. That’s an important […]

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DbD 2016Festival Coverage

Sorgenfri – DbD 2016

What We Become (also known as Sorgenfri) is the feature debut of Danish writer/director Bo Mikkelsen, a prolific maker of short films for nearly twenty years. The film is touted as the first post-apocalyptic Danish zombie flick and, perhaps surprisingly, the only zombie film on Dead by Dawn’s 2016 bill. Like last year’s Danish entry, […]

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DbD 2016Festival Coverage

Antibirth – DbD 2016

Danny Perez’s colourful stoner horror Antibirth is the kind of post 9/11 Rosemary’s Baby update a lot of people will really enjoy. With a cast of cult regulars like Natasha Lyonne, Chloe Sevigny, Meg Tilly, and Marc Webber Antibirth is packed with charismatic, dedicated performances that charm from start to finish.

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DbD 2016Festival Coverage

We Go On – DbD 2016

When it comes to ghost stories, a film can often lose its audience through repetition, showing us things we’ve already seen a hundred times, We Go On is not one of those films. Directors Jesse Holland and Andy Mitton have already made a name for themselves at Dead by Dawn with their intriguing woods-flick YellowBrickRoad […]

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DbD 2016Festival Coverage

Der Bunker – DbD 2016

Nikias Chryssos’ Der Bunker is the kind of film Dead by Dawn is made for; a dysfunctional family drama whose more outré parts will make it a hard sell for mainstream audiences. Distributed by Artsploitation, the provocative company behind Bunny the Killer Thing, Der Samurai (also starring Pit Bukowski), and Cub, Der Bunker is as […]

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DbD 2016Festival Coverage

Green Room – DbD 2016

The opening film at Edinburgh’s Dead by Dawn festival was Jeremy Saulnier’s Green Room, a Neo-Nazi punk horror thriller and welcome return to the screen after Saulnier’s 2013 thriller Blue Ruin.

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