EIFF 2013

EIFF 2013Festival Coverage

Magic Magic – EIFF 2013

Tonally speaking Magic Magic hits the nail on the head, achieving from start to finish the truly disconcerting vibe of an oncoming storm. From the word go, things seem to be

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EIFF 2013Festival Coverage

Everyone’s Going to Die – EIFF 2013

Melanie (Nora Tschirner) is a young woman living out a dull existence in an English seaside town, her life crawls along until she meets Ray (Rob Knighton in his second feature performance), a recently divorced gangster-type back in town for one last job. Without a doubt the most charming and impressive feature to debut at […]

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EIFF 2013Festival Coverage

The Conjuring – EIFF 2013

James Wan, member of the “Splat-pack”, writer/director of Saw, cult purveyor, herald of the dingy urban horror, a new talent that’s spent the past decade bolstering his CV with some really wonderful films aimed at the sort of people who enjoyed the same late night Hammer marathons as he did in his youth, has a […]

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EIFF 2013Festival Coverage

Frankenstein’s Army – EIFF 2013

Over the past few years there’s been a real peak in the impact of fan-boy fantasy on cinema, especially horror. We’ve seen some truly nutty visions being realised on the big screen and, for better or worse, that trend shows no signs of stopping. The recent sub-genre of Nazi zombie films is creatively tackled in […]

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EIFF 2013Festival Coverage

For Those in Peril – EIFF 2013

British cinema is great at taking quaint environments and turning them into Hell. We also have a penchant for misery and wasted lives, both of which you’ll find abundantly in Paul Wright’s impressive feature debut For Those in Peril, a keyhole into the social mechanics of a small fishing community in Scotland.

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EIFF 2013Festival Coverage

Leviathan – EIFF 2013

One of the most intriguing films of this year’s Edinburgh International Film Festival is the experimental documentary piece Leviathan; an abstract look at the relationship between man and nature. It won’t be for everyone, in fact it will probably appeal to a smaller part of the audience who have the patience to endure its 87 […]

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