Henry Hobson’s Maggie is a welcome surprise for the zombie genre and Arnold Shwarzenegger fans alike. The debut feature from Hobson, and his scribe John Scott 3, is an intimate portrayal of living with terminal illness, centred around two great performances.
Corin Hardy’s debut feature The Hallow is a refreshing creature-feature feeding off the folklore of Ireland. The film follows a British conservationist (Joseph Mawle), his wife (Bojana Novakovik), and their infant child who find themselves caught up in a nightmare after moving dangerously close to an ancient forest.
Decriminalisation of drugs and what that would lead to: Justin Trefgarne’s Narcopolis is a dystopian take on a hot topic. For a debut feature this sci-fi political thriller is ridiculously ballsy in its choice of subject matter but often favours the thrill of its twisting adventure over deeper consideration of its core questions. There’s still […]
Considering how saturated the zombie genre is, its difficult to craft an exceptional or even noteworthy entry. Dead Rising: Watchtower, the screen adaptation of the popular Capcom game franchise, has even more pressure since its namesake is a hugely successful part of modern zombie culture, loved by fans worldwide.
The Lesson, written and directed by Kristina Grozeva and Petar Valchenov, has plenty of things to talk about but never seems to feel that way. The farce of desperation is never really milked to its full black comedy potential keeping the feature firmly grounded in the, sometimes dull, domain of drama.
Title aside, there’s nothing long-winded about Baran bo Odar’s Who Am I – No System is Safe. From scene to scene Odar wants to entertain, to pull us in and drag us along under the wheels of an impressive and enjoyable cyber-thriller.