EIFF 2018

EIFF 2018Festival Coverage

Piercing – EIFF 2018 Review

Back in 2016 Nicolas Pesce wowed with his dark debut The Eyes of My Mother, now, two years later, he follows up with quirky

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EIFF 2018Festival Coverage

Swinging Safari – EIFF 2018 Review

Since his debut feature film in 1993, Australian auteur Stephan Elliott has made 10 films, none more successful or iconic than the exuberant drag queen road movie, Priscilla Queen of the Desert. The

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EIFF 2018Festival Coverage

Possum – EIFF 2018

Possum, the debut feature film from Mathew Holness, is a decrepit psychological horror indebted to the psycho-thriller hits of the 60’s and

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EIFF 2018Festival Coverage

The Most Assassinated Woman in the World – EIFF 2018 Review

For horror enthusiasts, Franck Ribiere’s The Most Assassinated Woman in the World, a film centred around Paris’ infamously depraved Grand Guignol theatre, is an absolute treat. Part biopic, part period thriller,

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EIFF 2018Festival Coverage

Terminal – EIFF 2018 Review

Set in an unnamed futuristic city, Vaughn Stein’s debut feature Terminal is an eccentric but troubled neo-noir thriller. On paper the film sounds pretty intriguing: Margot Robbie as a dangerously ambitious assassin, Simon

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