The buzz around David Gordon Green’s Halloween has been insane. Fresh blood behind the lens, the blessings of
Paul Schrader has had a reputation for weighty mainstream releases since penning the script for Taxi Driver in 1970.
Decent scares are hard to come by, but Demian Rugna’s Terrified is a sure-fire bet for even the most hardened of
It’s been over 30 years since the Predator first stomped onto our screens, yet the inter-galactic hunter hasn’t quite had the success of his contemporaries. Even though the Predators are as instantly recognisable as Alien,
Ari Aster’s debut film has crawled under the skins of audiences all over the world by now. Hereditary’s simple, family-in-a-grief-vacuum, approach to genre filmmaking is a
Back in 2001, Rob Zombie, global heavy metal star, directed his first feature film, House of 1000 Corpses. Its schlocky exploitation soul was abandoned by producers to the whims of post-production purgatory for three years: shelved because of its freakish nature.
There’s a lot of BS floating around just now regarding the writing credit on William Barrett’s directorial debut Temple. If you’re to believe the posters, Temple is the latest potentially lucrative film from the mind of Simon Barrett, writer behind The Guest, You’re Next, and last year’s surprise Blair Witch sequel.
Thankfully, Bloody Muscle Body Builder in Hell is as fun as it sounds. The debut film from Japanese director Shinichi Fukazawa is an adoring love-letter to the age of V/H/S and the morals cheap direct-to-video entertainment. In it, Shinji
Last year Yeon Sang-Ho’s animated horror Seoul Station plotted the course of a viral outbreak in South Korea with solid, but not groundbreaking, results. The hype for Sang-Ho’s debut live-action film has been unparalleled and the reviews overwhelmingly enthusiastic. Thankfully its deserved. Seok-Woo (Yoo Gong- Age of Shadows) is a self-serving businessman with little time […]
Cary Hill’s debut film Scream Park belongs to the outer rings of straight-to-DVD Hell, its cardinal sin? Being dull as dishwater and twice as disposable. True, the film comes from a band of amateurs funded via Kickstarter, but a lack of budget doesn’t quite account for the systemic issues with Hill’s low-key slasher.