Made on behalf of troubled independent filmmakers the world over, G Patrick Condon’s debut feature Incredible Violence is a bizarre story about how far you might have to go to finish your film, murder included. For those who enjoyed the savvy genre awareness of Scream, Cabin in the Woods, or Behind the Mask: The Rise […]
It’s almost impossible for British Horror to deal with class and racism now and not feel coloured by Brexit. Johnny Kevorkian’s second feature film, Await Further Instructions, doesn’t namecheck the political shambles, but
The buzz around David Gordon Green’s Halloween has been insane. Fresh blood behind the lens, the blessings of franchise instigator/genre icon John Carpenter, and the return of Jamie Lee Curtis to a role that launched her career back in 1978. If you ignore Rob Zombie’s remake and it’s sequel,
Paul Schrader has had a reputation for weighty mainstream releases since penning the script for Taxi Driver in 1970.
Tremble, Tremble!!! The Witches are Back… Remakes can be controversial, especially in the horror genre. The fandom around genre classics can get territorial, defensive over their nostalgia, enraged at the very idea of a new “insert film here”. When Luca Guadagnino’s Suspiria was announced, there was a very particular type of confused rage. Guadagnino is […]
Decent scares are hard to come by, but Demian Rugna’s Terrified is a sure-fire bet for even the most hardened of
It’s been over 30 years since the Predator first stomped onto our screens, yet the inter-galactic hunter hasn’t quite had the success of his contemporaries. Even though the Predators are as instantly recognisable as Alien,
Ari Aster’s debut film has crawled under the skins of audiences all over the world by now. Hereditary’s simple, family-in-a-grief-vacuum, approach to genre filmmaking is a
Back in 2001, Rob Zombie, global heavy metal star, directed his first feature film, House of 1000 Corpses. Its schlocky exploitation soul was abandoned by producers to the whims of post-production purgatory for three years: shelved because of its freakish nature.
There’s a lot of BS floating around just now regarding the writing credit on William Barrett’s directorial debut Temple. If you’re to believe the posters, Temple is the latest potentially lucrative film from the mind of Simon Barrett, writer behind The Guest, You’re Next, and last year’s surprise Blair Witch sequel.