Back in 2001, Rob Zombie, global heavy metal star, directed his first feature film, House of 1000 Corpses. Its schlocky exploitation soul was abandoned by producers to the whims of post-production purgatory for three years: shelved because of its freakish nature.
Jalmari Helander’s Big Game is a kind of spiritual sequel (or prequel) to his 2010 Christmas horror adventure film Rare Exports. Big Game reunites the father/son duo of Helander’s debut for an entirely different kind of action adventure film.
The Cat and The Canary, Elliot Nugent’s 1939 horror, has a lot more comedy in mind than its silent Paul Leni-directed 1927 original or even the stage origins of John Willard’s original play. The laughs come mostly from Bob Hope, who stars in his first leading role as Wally Campbell; a golden-hearted feather-weight with a […]
Banned by the BBFC in 1984 but not prosecuted, Contamination (AKA Alien Contamination AKA Toxic Spawn) is a relatively tame title on the notorious list of 72 censored films. Director Luigi Cozzi, here operating under the name Lewis Coates, is blatantly compacting successful ideas into one Sci-Fi, adventure, horror, mash-up and it just about works.
Brian Yuzna, Stuart Gordon acolyte, producer of From Beyond, Re- Animator (and its sequels), all-round 80’s Indy horror maestro, delivered one of his most startling projects in his directorial debut Society. A cult classic now, Society finds its way into midnight screenings and festival line-ups every year, its continual appeal fed by the immortality of […]
Island of Death, directed by Nick Mastorakis, is one of the nefarious features censored in the 80’s in conjunction with the Obscene Publications Act of 1959. The 72 banned films known as the Video Nasties, are a kind of variable cinematic gauntlet reserved for the most passionate of horror fans. Though a number of these […]
You will see nothing like Tokyo Tribe this year. But that’s not surprising considering it’s the long-awaited adaptation of Santa Inoue’s hugely popular manga Tokyo Tribe2, and the latest feature from gifted Japanese director Sion Sono (Love Exposure, Cold Fish).
Ana Lily Amirpour’s A Girl Walks Home Alone at Night is receiving a lot of hype and deservedly so. Vampire films have been, for want of a better word, milked of late, so it takes something really special to garner the kind of love Amirpour’s debut (apparently the world’s first Iranian vampire spaghetti western) has.
The ABC’s of Death 2 is a far more accomplished and enjoyable anthology horror than its predecessor. My hopes had perhaps been too high for the first instalment, expecting the epic project (26 directors, 26 short films all instigated by a letter of the alphabet) to showcase the future of horror whilst simultaneously saving it. […]