Stung, the debut feature film from Benni Diez and screenwriter Adam Aresty, impressed audiences at this year’s Frightfest and sports one of our favourite posters of 2015. Not surprising when you check out the horde of experienced producers behind the project, people like Todd Brown, Christian Becker, and Nate Bolotin, who collectively orchestrated films like […]
The feature film debut from writer and director Mathew A. Brown, Julia is a Neo-Noir rape-revenge film about a girl who is dragged into a shady form of cult therapy after a brutal trauma.
Body, from Dan Berk and Robert Olsen, is an odd, hilarious, and vaguely worrying film about a group of girls who fake a rape in order to clear themselves of an accidental murder.
Humberto Rosa and Thairon Mendes’ found footage horror Invoked is a surprisingly effective . Rosa’s script, co-written by Aaron Gibson, is short and sweet, hits all the bases of a typical haunted house horror, but still packs a punch.
Jimmy Weber clearly has a bone to pick, his directorial debut (also his debut writing credit) Eat is, on many counts, a fearless shameless venture, out to upset the unsuspecting viewer. For a horror fan, it’s a rare thing to find something that genuinely curls your toes, makes your eyes water, and has you shuddering […]
Wyrmwood, the stunning debut feature from Kiah Roache-Turner is an impressive foray into the world of schlocky hand-made horror by a group of filmmakers dedicated to the ideals of Indy cinema. And it totally works.
Jon Watts’ Clown is an exceptional example of how much fun can still be had in the darkest corners of the horror genre without sacrificing a good story. Playing it straight in the realm of clown horror proves a bit of a tone twister, but actually works pretty perfectly in this Eli Roth produced monster […]
Jordan Barker’s Torment probably wont be as tormenting as you’d like it to be, but its still worth a look if you’re a fan of home
Haunting of Crestview High actually takes the biscuit when it comes to lazy horror comedy. Riffing on The Breakfast Club with some seriously misguided “postmodern elements”, the film is clearly trying to be a nihilistic update of the classic 80’s sit-com, but doesn’t stop for a second to ponder whether that’s a worthwhile concept.
After a strong opening sequence of utter intrigue and obvious horror cliché, Gonzalo Lopez- Gallego’s Open Grave