DVDReviews

The Cabin – DVD Review

From the outset, there’s little consideration shown in Matt Thompson’s The Cabin. The film begins with the death of a native at the

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DVDFestival CoverageReviews

Lizzie Borden Took An Axe – DVD Review

In 1892, a young American woman named Lizzie Borden was tried and acquitted for the axe murders of her mother and father

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Blu-rayDVDReviews

The Quiet Ones – Blu-Ray Review

Hammer productions, the British heavyweight in horror, has a varied and vivid history spanning some 60 years.

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Blu-rayReviews

Faust – Blu-Ray Review

In 1926 F.W. Murnau, the silent-era master of macabre, released what would be his final German film before moving on to the

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Blu-rayReviews

Rapture – Blu-ray Review 29/7/14

Until now, John Guillermin’s coming-of-age story Rapture has perhaps been side-lined amidst his bigger budget productions.

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Blu-rayDVDReviews

Hunting the Legend – DVD Review

Bigfoot, Yeti, and Sasquatch, all different variations of the same age-old terror: a gargantuan primate thought to roam the

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DVDReviews

Absentia – DVD Review

Considering how well writer/director Mike Flanagan’s summer horror Oculus has done, it was always a matter of time before his debut got fast-tracked to a release date. And thank God it did.

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EIFF 2014Festival Coverage

In Order of Disappearance – EIFF 2014

Hans Petter Moland’s In Order of Disappearance is as slick and indifferent as the cold environment it occurs in. Originally titled ‘The Prize Idiot’, the film follows Nils Dickman (Stellan Skarsgard), a quiet dedicated snow-plough who becomes a furious force of vengeance when his son is murdered by a drug cartel.

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EIFF 2014Festival Coverage

Ai Weiwei: The Fake Case – EIFF 2014

Last year I was lucky enough to catch the tale-end of a Toronto exhibit of Ai Weiwei’s work. It was the first time I’d laid eyes on the renowned Chinese artist’s stuff but even then you can see the acidic commentary on the Chinese government clean off the bat. Andreas Johnsen’s insightful documentary proves an […]

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EIFF 2014Festival Coverage

Cold in July – EIFF 2014

Jim Mickle is fast proving himself to be a director of particular vision and consistent quality: 2010’s Stakeland and last year’s We Are What We Are both flaunt a gorgeous unity of content and tone. This perfect southern Gothic vibe leaks through into his new feature Cold in July.

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