EIFF 2017Festival Coverage

Snow Woman – EIFF 2017

Ghost Woman, the debut feature film from Kiki Sugino, draws inspiriation from Japanese folklore and the classic story of Kaidan. For some viewers, the film may feel overly familiar but it’s a charming, fresh-faced, and self-aware take on an old story. Sugino draws inspiration from the two previous film adaptations, but allows her own eerie […]

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EIFF 2017Festival Coverage

Bad Kids of Crestview High – EIFF 2017

Bad Kids of Crestview High, the sequel to 2014’s Haunting at Crestview High (aka Bad Kids Go to Hell), is every bit as daft and inane as it’s predecessor. Based on Barry Werwick’s graphic novel, its a silly slasher

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EIFF 2017

Rage – EIFF 2017

Following in the footsteps of complex murder dramas like Memories of Murder and I Saw the Devil, Rage, from Japanese director Sang-il Lee, has a tense yet tender approach to traditional thrillers. In it, three seemingly unrelated stories of love and loss slowly draw together around a vicious murder. 

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DVDReviews

Bloody Muscle Body Builder in Hell

Thankfully, Bloody Muscle Body Builder in Hell is as fun as it sounds. The debut film from Japanese director Shinichi Fukazawa is an adoring love-letter to the age of V/H/S and the morals cheap direct-to-video entertainment. In it, Shinji

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DVDReviews

Train to Busan – DVD Review

Last year Yeon Sang-Ho’s animated horror Seoul Station plotted the course of a viral outbreak in South Korea with solid, but not groundbreaking, results. The hype for Sang-Ho’s debut live-action film has been unparalleled and the reviews overwhelmingly enthusiastic. Thankfully its deserved. Seok-Woo (Yoo Gong- Age of Shadows) is a self-serving businessman with little time […]

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Festival CoverageGFF 2017

Age of Shadows – GFF 2017

Korean director Kim Jee-Woon made a name for himself in horror, with films like A Tale of Two Sisters and gruelling serial killer thriller I Saw the Devil. From there he’s made outlandish Western The Good, the Bad, and The Weird, not to mention reintroduced Schwarzenegger in US mad action caper The Last Stand. Age of Shadows is his latest film and follows the exploits of Korean rebels seeking to overthrow Japanese invaders during the 1920’s  After an exhilarating opening the film launches straight into an exhilarating, freight train of espionage. Train […]

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Festival CoverageGFF 2017

Headshot – GFF 2017

Headshot, the latest film from Indonesian exports Timo Tjanto and Kimo Stamboel, is a rip-roaring action extravaganza and the true culmination of the directors’ passion for farce, black comedy, and action. Surprisingly the so-called Mo Brothers have remained relatively low-key, even though Headshot marks their third feature film. In their native Indonesia the directors don’t fare much better, with most of their flicks never seeing the light of a cinematic release.   It may prove the price […]

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Festival CoverageGFF 2017

The Demons – GFF 2017

French Canadian film The Demons, from director Philippe Lesage, peaks behind the curtain of suburban civility for a slow but powerful discussion on childhood, sexuality, and social relationships. In it, an adolescent boy named Felix begins to encounter the adult world in subtle, but dramatic ways.  Lesage is clearly an inquisitive and open-minded documentarian whose curiosity allows him to pry the deepest most private parts of life without seemingly rabidly intrusive. That’s an important […]

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EIFF 2016Festival Coverage

Yoga Hosers – EIFF 2016

If you didn’t like Tusk, then chances are you could find Kevin Smith’s latest schlocky comedy adventure Yoga Hosers an absolute irritation. Smith’s latest addition to the True North Trilogy is a direct spin-off from Tusk which harks back to Clerks, fusing his earlier structure and themes with his later, more outré genre work. This […]

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EIFF 2016Festival Coverage

Gary Numan Android in La La Land – EIFF 2016

If you’re a Gary Numan fan then look no further than Steve Read and Rob Alexander’s intimate expose Gary Numan: Android in La La Land. Numan has always been a figure of interest for the public. The synth-pop pioneer pre-dated Kraftwerk, so when he strutted out on stage, his face plastered with white greasepaint, his […]

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