Edinburgh International Film Festival Tag Archive
Back in 2016 Nicolas Pesce wowed with his dark debut The Eyes of My Mother, now, two years later, he follows up with quirky
Since his debut feature film in 1993, Australian auteur Stephan Elliott has made 10 films, none more successful or iconic than the exuberant drag queen road movie, Priscilla Queen of the Desert. The
Possum, the debut feature film from Mathew Holness, is a decrepit psychological horror indebted to the psycho-thriller hits of the 60’s and
For horror enthusiasts, Franck Ribiere’s The Most Assassinated Woman in the World, a film centred around Paris’ infamously depraved Grand Guignol theatre, is an absolute treat. Part biopic, part period thriller,
Set in an unnamed futuristic city, Vaughn Stein’s debut feature Terminal is an eccentric but troubled neo-noir thriller. On paper the film sounds pretty intriguing: Margot Robbie as a dangerously ambitious assassin, Simon
Whilst Marvel sustains a stranglehold on action adventure films and continues to monopolise the superhero genre, reactionary releases are appearing more and more. Sarik Andreasyan’s Russian super soldier mash up The Guardians is an enjoyably barmy example of a pulpy under-dog reaction to Marvel’s expanding universe.
Ghost Woman, the debut feature film from Kiki Sugino, draws inspiriation from Japanese folklore and the classic story of Kaidan. For some viewers, the film may feel overly familiar but it’s a charming, fresh-faced, and self-aware take on an old story. Sugino draws inspiration from the two previous film adaptations, but allows her own eerie […]
Following in the footsteps of complex murder dramas like Memories of Murder and I Saw the Devil, Rage, from Japanese director Sang-il Lee, has a tense yet tender approach to traditional thrillers. In it, three seemingly unrelated stories of love and loss slowly draw together around a vicious murder.
If you didn’t like Tusk, then chances are you could find Kevin Smith’s latest schlocky comedy adventure Yoga Hosers an absolute irritation. Smith’s latest addition to the True North Trilogy is a direct spin-off from Tusk which harks back to Clerks, fusing his earlier structure and themes with his later, more outré genre work. This […]
If you’re a Gary Numan fan then look no further than Steve Read and Rob Alexander’s intimate expose Gary Numan: Android in La La Land. Numan has always been a figure of interest for the public. The synth-pop pioneer pre-dated Kraftwerk, so when he strutted out on stage, his face plastered with white greasepaint, his […]