Thriller Tag Archive
Await Further Instructions
It’s almost impossible for British Horror to deal with class and racism now and not feel coloured by Brexit. Johnny Kevorkian’s second feature film, Await Further Instructions, doesn’t namecheck the political shambles, but
Halloween (2018)
The buzz around David Gordon Green’s Halloween has been insane. Fresh blood behind the lens, the blessings of franchise instigator/genre icon John Carpenter, and the return of Jamie Lee Curtis to a role that launched her career back in 1978. If you ignore Rob Zombie’s remake and it’s sequel,
First Reformed
Paul Schrader has had a reputation for weighty mainstream releases since penning the script for Taxi Driver in 1970.
Piercing – EIFF 2018 Review
Back in 2016 Nicolas Pesce wowed with his dark debut The Eyes of My Mother, now, two years later, he follows up with quirky
Hereditary
Ari Aster’s debut film has crawled under the skins of audiences all over the world by now. Hereditary’s simple, family-in-a-grief-vacuum, approach to genre filmmaking is a
Possum – EIFF 2018
Possum, the debut feature film from Mathew Holness, is a decrepit psychological horror indebted to the psycho-thriller hits of the 60’s and
Terminal – EIFF 2018 Review
Set in an unnamed futuristic city, Vaughn Stein’s debut feature Terminal is an eccentric but troubled neo-noir thriller. On paper the film sounds pretty intriguing: Margot Robbie as a dangerously ambitious assassin, Simon
Knuckleball – DbD 2018
If like me you’re a total sucker for decent home invasion, Michael Peterson’s Knuckleball is a debut worth checking out. Home invasion is an old stalwart fixture of the horror genre and every decade has its hits, from Black Christmas in the 70’s to Funny Games in the 90’s, there’s been plenty to fear from […]
Downrange – DbD 2018
Back in 2014 cult Japanese director Ryuhie Kitamura delivered No One Lives, a camp pseudo-slasher with an inventive approach to gore and a
Rage – EIFF 2017
Following in the footsteps of complex murder dramas like Memories of Murder and I Saw the Devil, Rage, from Japanese director Sang-il Lee, has a tense yet tender approach to traditional thrillers. In it, three seemingly unrelated stories of love and loss slowly draw together around a vicious murder.