scottclark Author
Halloween (2018)
The buzz around David Gordon Green’s Halloween has been insane. Fresh blood behind the lens, the blessings of franchise instigator/genre icon John Carpenter, and the return of Jamie Lee Curtis to a role that launched her career back in 1978. If you ignore Rob Zombie’s remake and it’s sequel,
First Reformed
Paul Schrader has had a reputation for weighty mainstream releases since penning the script for Taxi Driver in 1970.
Apostle
Gareth Evans, best known for his two Indonesian martial arts extravaganza’s, The Raid and The Raid 2, has come home. The Welsh director, within the space of 2 explosive films, secured his name in the 21st
Suspiria 2018
Tremble, Tremble!!! The Witches are Back… Remakes can be controversial, especially in the horror genre. The fandom around genre classics can get territorial, defensive over their nostalgia, enraged at the very idea of a new “insert film here”. When Luca Guadagnino’s Suspiria was announced, there was a very particular type of confused rage. Guadagnino is […]
Terrified
Decent scares are hard to come by, but Demian Rugna’s Terrified is a sure-fire bet for even the most hardened of
Leatherface
Crafting a prequel to one of the most iconic horror films of all time is a bold move. It didn’t work for The Exorcist Films (either time), Rob Zombie’s Halloween suffered
The Predator
It’s been over 30 years since the Predator first stomped onto our screens, yet the inter-galactic hunter hasn’t quite had the success of his contemporaries. Even though the Predators are as instantly recognisable as Alien,
Piercing – EIFF 2018 Review
Back in 2016 Nicolas Pesce wowed with his dark debut The Eyes of My Mother, now, two years later, he follows up with quirky
Swinging Safari – EIFF 2018 Review
Since his debut feature film in 1993, Australian auteur Stephan Elliott has made 10 films, none more successful or iconic than the exuberant drag queen road movie, Priscilla Queen of the Desert. The
Hereditary
Ari Aster’s debut film has crawled under the skins of audiences all over the world by now. Hereditary’s simple, family-in-a-grief-vacuum, approach to genre filmmaking is a
