Hooptober
Corruption (1968)
Of the old guard horror icons, Christopher Lee, Peter Cushing, John Carradine, Vincent Price, none is perhaps more enjoyable to watch in a role of villainy than Cushing. Of course, Lee was a fantastic Dracula and Price brings a delectable campery to his villains, but its Cushing who perhaps delivers the best surprises in roles […]
The Last Showing
Obviously most famous for his iconic portrayal of Freddy Krueger in A Nightmare on Elm Street films, Robert Englund has had a fascinating career for over 40 years garnering generations of fans and becoming a reliable Horror Elder ready to lend his talents to feature films and documentaries alike. Phil Hawkins’ The Last Showing belongs […]
Session 9
The crispness of vision and the timelessness of both its location and story are testament to why Brad Anderson’s Session 9 is still lauded as one of the finest examples of contemporary horror. Session 9 is a classic haunted house story. A group of men take a short-term, high-pressure, job to get a big payout. […]
It Comes at Night
Though not intended as such at the time, Trey Edward Shults’ It Comes at Night has taken on a different weight in the post-pandemic world. Originally released in 2017, Shults’ sophomore feature is a study in the anxieties and losses one family weathers whilst trying to survive a viral apocalypse. In Shults’ film, an unexplained […]
Lake Mungo – The Saddest Scariest Movie of the 21st Century
Of all the 00’s found footage films none perhaps have achieved the underground adoration of Joel Anderson’s Lake Mungo. The Australian Indy underdog made waves at film festivals but never achieved a full cinematic release, instead sneaking quietly onto DVD and floating insidiously out into the world with little fanfare bar word-of-mouth. It deserved so much more. […]
Hostile
Whenever Xavier Gens’ name pops up in the opening credits of a film, I wonder what awful shit I’m about to be subjected to. Not that he’s a bad director, or the quality of his stuff is ever awful, it’s just that he has a habit of dispensing, or putting his name to, films which dispense […]
Beau Is Afraid
On release, Ari Aster’s Beau is Afraid quickly became one of those contentious litmus tests for cinematic boundaries, creative freedom, and personal taste. The people that loathed the film called it the result of an indulgent director and a permissive studio. The folks that loved it cited pretty much the same. Either way, Aster, a […]
