Reviews
Await Further Instructions
It’s almost impossible for British Horror to deal with class and racism now and not feel coloured by Brexit. Johnny Kevorkian’s second feature film, Await Further Instructions, doesn’t namecheck the political shambles, but
Halloween (2018)
The buzz around David Gordon Green’s Halloween has been insane. Fresh blood behind the lens, the blessings of franchise instigator/genre icon John Carpenter, and the return of Jamie Lee Curtis to a role that launched her career back in 1978. If you ignore Rob Zombie’s remake and it’s sequel,
First Reformed
Paul Schrader has had a reputation for weighty mainstream releases since penning the script for Taxi Driver in 1970.
Apostle
Gareth Evans, best known for his two Indonesian martial arts extravaganza’s, The Raid and The Raid 2, has come home. The Welsh director, within the space of 2 explosive films, secured his name in the 21st
Suspiria 2018
Tremble, Tremble!!! The Witches are Back… Remakes can be controversial, especially in the horror genre. The fandom around genre classics can get territorial, defensive over their nostalgia, enraged at the very idea of a new “insert film here”. When Luca Guadagnino’s Suspiria was announced, there was a very particular type of confused rage. Guadagnino is […]
Terrified
Decent scares are hard to come by, but Demian Rugna’s Terrified is a sure-fire bet for even the most hardened of
The Predator
It’s been over 30 years since the Predator first stomped onto our screens, yet the inter-galactic hunter hasn’t quite had the success of his contemporaries. Even though the Predators are as instantly recognisable as Alien,
Hereditary
Ari Aster’s debut film has crawled under the skins of audiences all over the world by now. Hereditary’s simple, family-in-a-grief-vacuum, approach to genre filmmaking is a
Right Place, Wrong Time: Nostalgia and the House of 1000 Corpses
Back in 2001, Rob Zombie, global heavy metal star, directed his first feature film, House of 1000 Corpses. Its schlocky exploitation soul was abandoned by producers to the whims of post-production purgatory for three years: shelved because of its freakish nature.