Generated by All in One SEO v5.0.0.1, this is an llms.txt file, used by LLMs to index the site. # The Forbidden Room Cult, Pulp, & Horror Film Writing ## Sitemaps - [XML Sitemap](https://forbiddenroom.co.uk/sitemap.xml): Contains all public & indexable URLs for this website. ## Posts - [Tlmea](https://forbiddenroom.co.uk/tlmea/) - Kevin Kopacka’s Tlmea is an elusive, jarring, but enthralling journey for the curious colour-loving viewer. Only Kopacka’s second short film, Tlmea acts as a prequel to last year’s Hades, a similarly expressive multi-coloured nightmare, which follows a woman’s dreamy interpretation of her romantic relationship. TLMEA is Kopacka’s crack at an arthouse thriller/melodrama through his own - [Men & Chicken - GFF 2016](https://forbiddenroom.co.uk/men-chicken-gff-2016/) - Anders Thomas Jensen’s Men and Chicken is something of an event film, marking the end of a ten year hiatus from directing duties sicne 2005’s Adam’s Apples. Jensen has continued a prolific career as a screenwriter on films like The Duchess and The Salvation, but a return to directing his own work is a welcome - [Dust Bunny](https://forbiddenroom.co.uk/dust-bunny/) - What does a Bryan Fuller film look like? That’s what many of us were thinking when the man behind TV hits Dead Like Me, Pushing Daisies, Hannibal, and Star Trek Discovery teased Dust Bunny back in 2022. The writer/producer has made a name for himself with quirky, comic, and macabre properties, securing a huge cult following with the currently dormant, but beloved, Hannibal TV adaptation starring Mads Mikkelsen. Whilst there’s no news of Hannibal season 4, fans can whet their appetite with the - [Reflection in a Dead Diamond](https://forbiddenroom.co.uk/reflection-in-a-dead-diamond/) - Since 2009 Belgian duo Helene Cattet and Bruno Forzani have been crafting exquisite genre love letters. Their brand of eye-candy visuals and intensely sensuous sound design are instantly recognisable, as are the influences they flaunt so proudly. Their first and second features, Amer and The Strange Colour of Your Body's Tears, are odes to Italian Giallo whilst their third, Let the Corpses Tan, is a dive into the world of Spaghetti Westerns. Reflection in a Dead Diamond, their fourth film and first in 8 years, takes on the psychedelic, far-fetched, and fantastical Euro crime - [Top 10 Films 2025](https://forbiddenroom.co.uk/top-10-films-2025/) - 2025 was another superb year for great genre films and though there’s a lack of festival coverage in this year’s Top 10, for the most part the offerings from local cinemas and big studios were of such a high calibre, it hasn't left me short of films to rave about. 2025 was a rough year in the real world, politically, economically, you name - [Cuckoo](https://forbiddenroom.co.uk/cuckoo/) - Tilman Singer’s Cuckoo has been one of the most hyped horror films of 2024. No easy task considering this is the year of Longlegs, Trap, Alien: Romulus, and Maxxxine to name just a few. Back in 2018, Singer’s Luz was the darling of the festival circuit, a dreamy take on possession horror with a queer slant - [Strange Darling](https://forbiddenroom.co.uk/strange-darling/) - After a season of big blockbusters and gripping genre offerings, JT Mollner’s Strange Darling brins an intriguing and explosive full stop to summer 2024. Even amidst the likes of Longlegs and Cuckoo, Mollner’s latest is the quiet underdog, arriving with a host of rave reviews from its limited but lauded cinematic release. Kicking off with an - [The Velvet Vampire](https://forbiddenroom.co.uk/the-velvet-vampire/) - Vampires tread a world between extremes. So full of life, but surrounded by death. They are the ultimate consumers, perfectly placed to spend eons accruing wealth, luxury, property, knowledge, and taste, yet doomed to spend eternity starved of pleasures like food and wine and love. Eternally hungry. Eternally horny. Sometimes monstrous. Often Gorgeous. Its a - [My Soul to Take](https://forbiddenroom.co.uk/my-soul-to-take/) - Though Scream 4 was Wes Craven’s final film before his death in 2015, My Soul to Take was the last film he wrote, directed, and produced. Much derided on release this overstuffed slasher takes us on a messy thematic tour of Craven’s hits and, whilst not as clean-cut as the Scream film which came after - [The Lords of Salem](https://forbiddenroom.co.uk/the-lords-of-salem-blu-ray-review/) - Rob Zombie's The Lords of Salem is the biggest jump in quality and ambition you'll see on a film-making CV this year. It would be short-sighted to call it his magnum opus but its certainly the most unique thing he's made, so far, and a high benchmark for future work. Zombie’s brand of heavy metal - [The Substance](https://forbiddenroom.co.uk/the-substance/) - The Substance is, by any stretch, a batshit sophomore step for Coralie Fargeat and without a doubt the most nuts thing on Demi Moore’s CV. Where Fargeat’s 2017 debut Revenge offered a vibrant visceral update of the rape-revenge sub-genre, The Substance is a stylish, sexy, and all together horrifying new chapter in body horror. Moore stars - [Longlegs](https://forbiddenroom.co.uk/longlegs/) - It feels like ages since the first posters for Longlegs dropped and even longer since horror fans had such a potent buzz eruption. The mystery around Oz Perkins’ fourth feature film has been a singular ride for horror hounds, fermented by mysterious posters, Satanic riddles, and the cautious withholding of Nicolas Cage’s visage from marketing. - [Gretel & Hansel](https://forbiddenroom.co.uk/gretel-hansel/) - Whichever version of the story you read as a kid, it usually takes a few years for the inherent brutality of Hansel and Gretel to dawn. As far as Grimm fairy tales go, it's one of the grimmest, and has been brought to startling life by Oz Perkins in Gretel & Hansel, a feminist reinterpretation led by IT’s Sophia - [Infested](https://forbiddenroom.co.uk/infested/) - When we talk about spider horror movies we talk about Arachnophobia, Eight Legged Freaks (for my money Big Ass Spider is the better daft B-Movie), and maybe that bit in The Mist. Hold on though, because there’s fresh phobia-instigation for a whole new generation. From now on Infested will be a staple of those lists and conversations. The - [The Pope's Exorcist](https://forbiddenroom.co.uk/the-popes-exorcist/) - At first glance, The Pope’s Exorcist is another tired venture into spiritual warfare led by another vaguely daft late-stage Russell Crowe performance. Yet, under the lazy scares and formulaic structure, there’s the beating heart of a genuinely fun B-Movie and the groundwork for a demonically daft franchise. Its 1987 and Father Gabriel Amorth (Russell Crowe), - [Top 10 2023](https://forbiddenroom.co.uk/top-10-2023/) - Writing the yearly Top 10 is always tough. Thousands of films released, hundreds of films hitting the big screen, even more hitting the small screen. Then there’s straight-to-DVD and the film festival circuit. The more you watch, the more films you discover. It's a treadmill. Film lovers are faced every year with the quandary of - [Luz - DbD 2019](https://forbiddenroom.co.uk/luz-dbd-2019/) - Entrancing and elusive, Tilman Singer’s debut feature film Luz was the stand-out film of Edinburgh’s Dead by Dawn festival 2019. Playing out like an Avant Garde possession story, Luz follows a young cab driver’s (Luana Velis) desperate attempts to flee a demonic entity hell-bent on reuniting with its true love. At first Luz feels like - [Hellboy (2019)](https://forbiddenroom.co.uk/hellboy-2019/) - Neil Marshall’s Hellboy flopped hard at the box office back in April. And it really didn’t deserve to. Off the back of a $50,000,000 budget, the film only took an estimated $48,000,000 worldwide, essentially ensuring the franchise won’t see the light of day for an awful long time. - [Birds of Prey](https://forbiddenroom.co.uk/birds-of-prey/) - After a scene stealing turn in David Ayer’s calamitous Suicide Squad, it was only a matter of time until Harley Quinn got a film of her own. Robbie's portrayal of the Batman villain was ICONIC. Sticking with her is smart business from a studio still trying to figure out its place in the world of Superhero cinema and Marvel/Disney domination. At cinemas the film - [Tumbbad](https://forbiddenroom.co.uk/tumbbad/) - An epic Indian fable with a heart of horror, Tumbbad is one of the most unique horror films currently available on Amazon Prime. From first time directors Rahi Anil Barve, Anand Gandhi, and Adesh Prasad, Indian export Tumbbad made waves with its debut at Fantastic Fest in 2018, for good reason. Its blend of pristinely realised period setting, gorgeous location shooting, and Lovecraftian - [The Invisible Man](https://forbiddenroom.co.uk/the-invisible-man/) - Of all the classic Universal Monster movies, The Invisible Man is debatably the most terrifying. Dracula, Frankenstein, and Wolfman are prey to thier own ghastly conditions, often painted as sympathetic figures. The Invisible Man however, based on the seminal sci-fi novel by H.G.Wells, is a different matter altogether. His discovery of an invisibility serum marks him a genius but - [Body Melt](https://forbiddenroom.co.uk/body-melt/) - In the 80’s and 90s Australian TV cranked out some of the most intense public service announcements released anywhere on the globe. The aim? To scare the living shit out of any potential drug users and drunk drivers. Philip Brophy’s 1993 horror film Body Melt takes a page out of the anti-drug PSA’s book and savages the - [Saint Maud](https://forbiddenroom.co.uk/saint-maud/) - Saint Maud, from director Rose Glass, finds religious obsession and psycho-sexual horror on the Whitby coast. The film is a surprisingly underhanded showcase for debut director Glass, not to mention her crew of British talent. Following in the footsteps of DePalma and Friedkin, the latest genre offering from A24 follows the studio’s penchant for quietly - [Halloween Kills](https://forbiddenroom.co.uk/halloween-kills/) - For a lifelong Halloween fan, David Gordon Green’s Halloween Kills, the much-anticipated sequel to his 2018 reboot, is a gory gift bag of tricks ‘n’ treats. For those who enjoyed the fan service, visceral kills, and return to the franchise’s roots in 2018, there’s more of that and then some. After an thrilling flashback to - [In the Earth](https://forbiddenroom.co.uk/in-the-earth/) - Hands up if you went into 2020 thinking we’d spend a year dodging in and out of lockdowns as a viral pandemic swept across the world like something out of a movie? In the Earth is, for all intents and purposes, a pandemic horror film and one of the first of its kind. The latest - [X](https://forbiddenroom.co.uk/x/) - When Ti West first burst onto the scene nearly a decade ago, it was with style, grit, and savvy. The one-two punch of retro-fitted occult babysitter flick House of the Devil and surprisingly endearing, but terrifying, docu-horror The Innkeepers announced a major genre talent. Here is a guy who can deliver effective, stylish, thrills and - [The Outwaters](https://forbiddenroom.co.uk/the-outwaters/) - If you’re interested in genre film, you’ve probably heard some shouting and screaming about Robbie Banfitch’s bold nightmarish debut; The Outwaters. After storming the fest circuit in 2022, The Outwaters has kept popping up and with a surprising lack of info or spoilers which have helped it maintain the air of a cult curio. In all - [Hostile](https://forbiddenroom.co.uk/hostile/) - Whenever Xavier Gens’ name pops up in the opening credits of a film, I wonder what awful shit I’m about to be subjected to. Not that he’s a bad director, or the quality of his stuff is ever awful, it's just that he has a habit of dispensing, or putting his name to, films which dispense - [Lake Mungo - The Saddest Scariest Movie of the 21st Century](https://forbiddenroom.co.uk/lake-mungo-the-saddest-scariest-movie-of-the-21st-century/) - Of all the 00’s found footage films none perhaps have achieved the underground adoration of Joel Anderson’s Lake Mungo. The Australian Indy underdog made waves at film festivals but never achieved a full cinematic release, instead sneaking quietly onto DVD and floating insidiously out into the world with little fanfare bar word-of-mouth. It deserved so much more. - [It Comes at Night](https://forbiddenroom.co.uk/it-comes-at-night/) - Though not intended as such at the time, Trey Edward Shults’ It Comes at Night has taken on a different weight in the post-pandemic world. Originally released in 2017, Shults’ sophomore feature is a study in the anxieties and losses one family weathers whilst trying to survive a viral apocalypse. In Shults’ film, an unexplained - [Session 9](https://forbiddenroom.co.uk/session-9/) - The crispness of vision and the timelessness of both its location and story are testament to why Brad Anderson’s Session 9 is still lauded as one of the finest examples of contemporary horror. Session 9 is a classic haunted house story. A group of men take a short-term, high-pressure, job to get a big payout. - [The Last Showing](https://forbiddenroom.co.uk/the-last-showing/) - Obviously most famous for his iconic portrayal of Freddy Krueger in A Nightmare on Elm Street films, Robert Englund has had a fascinating career for over 40 years garnering generations of fans and becoming a reliable Horror Elder ready to lend his talents to feature films and documentaries alike. Phil Hawkins’ The Last Showing belongs - [Corruption (1968)](https://forbiddenroom.co.uk/corruption-1968/) - Of the old guard horror icons, Christopher Lee, Peter Cushing, John Carradine, Vincent Price, none is perhaps more enjoyable to watch in a role of villainy than Cushing. Of course, Lee was a fantastic Dracula and Price brings a delectable campery to his villains, but its Cushing who perhaps delivers the best surprises in roles - [Antrum: The Deadliest Film Ever Made](https://forbiddenroom.co.uk/antrum-the-deadliest-film-ever-made/) - In the long list of postmodern horror films Antrum: The Deadliest Film Ever Made, directed by David Amito and Michael Laicini, has a special place. Few movies have the audacity to play up their own potential as intriguingly and brazenly. It’s a potential pitfall since the louder a film blusters about its own power, the - [The Tunnel](https://forbiddenroom.co.uk/the-tunnel/) - When we discuss the lesser known found footage horror hits of the 2000’s, we talk about Lake Mungo, Noroi, and The Poughkeepsie Tapes. But Australian crowd-backed venture The Tunnel is still criminally underrated and not often mentioned alongside those unsung contemporary classics. The mockumentary film from Carlo Ledesma is a stunning example of found footage - [Saw X - Reboot or Game Over?](https://forbiddenroom.co.uk/saw-x-reboot-or-game-over/) - After months of anticipation and one of the most aggressive hype campaigns of the franchise, Saw X is finally here, but is it any good? Written by Josh Stolberg and Pete Goldfinger, and directed by long running franchise editor Kevin Greutert, the latest entry is an incredible treat for fans and one of the finest - [Madhouse (1974)](https://forbiddenroom.co.uk/madhouse-1974/) - Though perhaps not as technically or visually impressive as their Hammer counterparts, Amicus Productions’ slew of late-60s/early 70s horror output is often savvier and timelier. Aside from their superb anthology films, nothing in the Amicus catalogue proves this more than Jim Clark’s 1974 film Madhouse. Paul Toombs is a horror icon who has made - [Knife + Heart](https://forbiddenroom.co.uk/knife-heart/) - With queer retro slasher Knife + Heart, Yann Gonzalez takes us on an evocative, dangerous, journey through the sensual underbelly of Paris’s sex industry, circa 1979. It’s a world of underground nightclubs, porn theatres, cruising areas, baroque porn sets, and rain-spattered sidewalks, all populated with gorgeous queers and drenched in lurid primary colours. The attention - [Hatchet for the Honeymoon](https://forbiddenroom.co.uk/hatchet-for-the-honeymoon/) - Mario Bava, best known for his Giallo-instigating film Blood and Black Lace, is perhaps one of the most influential, original directors of the 20th century. The horror genre is still working with, and trying to deviate from, a blueprint he crafted half a Century ago. Whilst Hatchet for the Honeymoon is by no means Bava’s finest - [The Tall Man - DVD Review](https://forbiddenroom.co.uk/the-tall-man-dvd-review/) - Back in 2008 French writer/director Pascal Laugier unleashed Martyrs on unsuspecting audiences, casually marketing the film as a horror when in actual fact it was the closest thing I’d seen to a genuine journey into hell. One of those “let’s sit on our own for a while in a nice place and NEVER watch this - [Welcome to the Punch - GFF 2013](https://forbiddenroom.co.uk/welcome-to-the-punch-gff-2013/) - When he introduced his second feature film, writer/director Eran Creevey commented that Welcome to the Punch was an old fashioned kind of Friday night fun. Though Creevey’s film is indeed visually impressive and slick as Hell, it’s not the action-romp the review snips keep heralding. Starting off with a well-executed Dark Knight/Heat heist-turned-chase, the film - [Stoker - GFF 2013](https://forbiddenroom.co.uk/stoker-gff-2013/) - If you can avoid the trailer, then for God’s sake do because here’s a film that benefits from going in blind. Park Chan Wook’s Stoker is a thing of undeniable beauty; a carefully crafted piece of art, and there’s a word I don’t go throwing around too often. Essentially it’s a story about sexual awakening - [From Beyond - Blu-ray Review](https://forbiddenroom.co.uk/from-beyond-blu-ray-review/) - Stuart Gordon is one of those icons of Horror who can never really be touched by anyone else, his style is so recognisable and his films garner more following than Jesus at a leper colony. On the 25th of February you can become part of that following with the long-awaited release of Gordon’s From Beyond - [American Mary - DVD Review](https://forbiddenroom.co.uk/american-mary-dvd-review/) - The Soska Sisters’ ambitious yet flawed debut feature Dead Hooker in a Trunk was just enough to get their feet in the door, something we can all be pretty grateful for considering the impressive cult legend that is their second feature film: American Mary. Katharine Isabelle stars as Mary, a dedicated and gifted young medical - [Chained - DVD Review](https://forbiddenroom.co.uk/chained-31-1-13/) - First thing to note about Chained is: it is not a pleasant viewing experience. Second thing to note about Chained is: it will probably rot your soul a wee bit. From Jennifer Lynch (yes, that’s David Lynch’s daughter) comes possibly the most brutal study in serial killers you’ll see this year and I don’t feel - [V/H/S- DVD Review](https://forbiddenroom.co.uk/v-h-s-dvd-review/) - If I’ve said it once I’ve said it a thousand times; found footage horror is a dry well. Once a potent concept that had us all quaking in our boots with genre highlights like The Blair Witch Project and even things like Paranormal Activity, the shaky cam low-res high-tension thing has inevitably worn thin thanks - [Texas Chainsaw 3D](https://forbiddenroom.co.uk/texas-chainsaw-3d/) - One of the most influential horror movies of all time and a milestone in the vast and seemingly endless tide of the slasher, The Texas Chainsaw Massacre has since its release in 1974 went on to terrify generations of viewers. Tobe Hooper’s original tale of mayhem and slaughter not only added the chainsaw to the - [Manborg](https://forbiddenroom.co.uk/manborg/) - When a film comes our way and one of the first pieces of information we hear regarding said film is that its budget was a measly $1000, yet it still made London Sci-Fi Festival and is getting some pretty rave reviews…we’re pretty much there, popcorn ready. Manborg, the latest cult extravaganza from retro-style production company - [Christmas Evil - Blu-ray Review](https://forbiddenroom.co.uk/christmas-evil-blu-ray-review/) - With the approach of Christmas comes the inevitable release of a slew of films joining the ranks of the “Yuletide Slasher”. While you wait for the Silent Night remake to enter cinemas I would like to recommend one X-mas related horror film for your collection. Released back in 1980 under the title You Better Watch - [Rosewood Lane - DVD Review](https://forbiddenroom.co.uk/rosewood-lane-dvd-review/) - At one point in my life, Victor Salva was the master of nightmares. For some of you out there he’s probably that too, this is the guy who wrote and directed Jeepers Creepers, a film that’s a sort of induction into horror for a certain generation. His latest film Rosewood Lane comes nowhere near the - [Apartment 143 - DVD Review](https://forbiddenroom.co.uk/apartment-143-dvd-review/) - For a film with the tagline: “The first real ghost story”, Apartment 143 (also known as Emergo) doesn’t really seem to be pulling out the stops to show us something new. Written by Rodrigo Cortes, the man who brought us Buried and Red Lights, Apartment 143 feels like it surely can’t have been written by - [Sinister](https://forbiddenroom.co.uk/sinister/) - Of all the horror films to make it to the big screen this autumn, Sinister, starring Ethan Hawke and directed by Scott Dickinson (The Exorcism of Emily Rose), has probably had the most attention. Take one look at any respectable horror web site and the stills, TV spots, trailers etc are proudly flaunted as if - [[Rec]3 Genesis - Blu-ray Review](https://forbiddenroom.co.uk/rec3-genesis-blu-ray-review/) - The first thing to remember when you sit down to watch [Rec]3 Genesis is that it is a very different film to its predecessors. [Rec] (2007) and [Rec 2] (2009) have already garnered more than their fair share of cult following and critical acclaim, Rec 2 often being cited as one of the best horror - [The Lost Coast Tapes - DVD Review](https://forbiddenroom.co.uk/the-lost-coast-tapes-dvd-review/) - Unlike the majority of films to ride the lucrative “handheld” wave that has flooded horror since Blair Witch and more recently Paranormal Activity, The Lost Coast Tapes actually holds its own as an enjoyable addition to a painfully tired sub-genre. Avoiding the now predictable “students in an abandoned whatever” or “campers investigate bumps in the - [Livid - DVD Review](https://forbiddenroom.co.uk/livid-dvd-review/) - Julien Maury and Alexandre Bustillo have already made a sound debut in the form of 2007’s Inside, so their second feature, Livid, is due to cause some excitement amongst horror fans. The pair’s second film is an atmospheric and visually inventive take on the ‘old haunted house story’ and among other things probably one of - [The Fields - DVD Review](https://forbiddenroom.co.uk/the-fields-dvd-review/) - The Fields is one of very few horrors to successfully put a child in the lead character position and pull it off. Part of this comes down to B.Harrison Smith’s script, but for the most part it’s down to Joshua Ormond’s muted performance as Steven, a kid who, rather than being mouthy, irritating, cocky, inhumanly - [The Thompsons - DVD Review](https://forbiddenroom.co.uk/the-thompsons-dvd-review/) - In a cinematic landscape where the vampire sub-genre is populated with constant reworking and, more specifically, buggered half to death by Twilight, The Thompsons, the sequel to 2006’s The Hamiltons, is a rough but charming pick-me-up. The Thompsons picks up the brutal family’s story as they escape the US, after a bloodbath puts them on - [Antiviral - Blu-ray Review](https://forbiddenroom.co.uk/antiviral-blu-ray-review/) - Take a look at the modern world and it’s difficult to deny we’re in a certain amount of trouble. Pick up any magazine, flick through any social networking sites, and you’ll see we have celebrity on the brain. Brandon Cronenberg (son of cult director, David Cronenberg) has chosen this sordid affair as a launching point - [Saltburn](https://forbiddenroom.co.uk/saltburn/) - Saltburn, the sophomore film from Promising Young Woman writer/director Emerald Fennell, quickly became one of the most talked-about films of 2023. For some the cutthroat class parable was relatively vanilla, for others it was rampant filth. Debates about its High-Brow or Low-Brow aspirations became mind-numbing whilst contrarian arguments blossomed from the fertile grounds of shock, - [Suitable Flesh](https://forbiddenroom.co.uk/suitable-flesh/) - After wowing crowds at Fantastia Fest and Frightfest hype for Joe Lynch’s latest film Suitable Flesh has been high. Adapted from Lovecraft’s ‘The Thing on the Doorstep’ by Dennis Paoli (the man behind Stuart Gordon's iconic 80’s Lovecraft adaptations) Suitable Flesh is a camp creeping tale of spiritual terror and body swapping led by two - [Dark Harvest](https://forbiddenroom.co.uk/dark-harvest/) - Its criminal that David Slade’s creature feature Dark Harvest wasn’t a bigger deal this Halloween. Based on the lauded novel by Norman Partridge and delayed twice due to Covid 19 and studio reshuffles, the much-anticipated adaptation has just slid, rather unceremoniously, onto Amazon Prime. Every Halloween, in an isolated midwestern farm town, a monstrous entity - [Beau Is Afraid](https://forbiddenroom.co.uk/beau-is-afraid/) - On release, Ari Aster’s Beau is Afraid quickly became one of those contentious litmus tests for cinematic boundaries, creative freedom, and personal taste. The people that loathed the film called it the result of an indulgent director and a permissive studio. The folks that loved it cited pretty much the same. Either way, Aster, a - [Clownsploitation: Clowns in the Horror Genre](https://forbiddenroom.co.uk/clownsploitation-clowns-in-the-horror-genre/) - For me clowns have never been scary, just odd. For the horror genre, clowns are an easy fix; ready made monsters building increasingly ominous public relations with a dubious audience. Last year American Horror Story; Freakshow pulled clowns into the spotlight with the macabre Twisty. Jon Watts’ Clown has already kicked off 2015 with it's graphic, but considered, remoulding - [Suspiria 2018](https://forbiddenroom.co.uk/suspiria-2018/) - Tremble, Tremble!!! The Witches are Back… Remakes can be controversial, especially in the horror genre. The fandom around genre classics can get territorial, defensive over their nostalgia, enraged at the very idea of a new “insert film here”. When Luca Guadagnino’s Suspiria was announced, there was a very particular type of confused rage. Guadagnino is - [Altered States](https://forbiddenroom.co.uk/altered-states/) - Though written by three-time academy award winning writer Paddy Chayefsky (adapting his own novel), Altered States had a surprisingly tough trip to the big screen. Pawned off by production companies, plagued by budgetary issues, and shunned by a litany of directors, the film eventually found salvation in Ken Russel. Altered States’ heady, sometimes silly, mix - [Frenzy](https://forbiddenroom.co.uk/frenzy/) - Frenzy, the penultimate film from Alfred Hitchcock, is a far cry from the director’s classics. Hitch had, after all, held a strangle hold on Hollywood for most of the 60’s. He defined cinematic espionage, the psychological thriller, even helped legitimize and popularize the horror film. But Frenzy offers a different kind of Hitchcock. It feels - [Sick](https://forbiddenroom.co.uk/sick/) - It's kind of mad that a new film written by Scream scribe and co-creator Kevin Williamson slipped out into the world unannounced this year. Sick, directed by John Hyams (director of the much loved, sadly overlooked Universal Soldier: Day of Reckoning), is a pandemic horror, something we’ll probably see a lot more of over the - [Sisu](https://forbiddenroom.co.uk/sisu/) - Sisu is the long-awaited latest from Finnish director Jalmari Helander, director of Christmas horror Rare Exports and pulpy presidential adventure Big Game. Since Big Game in 2014, Helander hasn’t had a feature film and, whatever the reason, it's great to see him back swinging with such an explosive, beautifully shot, and timely reintroduction. Aatami (a - [The Last Voyage of the Demeter](https://forbiddenroom.co.uk/the-last-voyage-of-the-demeter/) - In the context of fatigued properties, André Øvredal’s The Last Voyage of the Demeter, adapted from just one short chapter in Bram Stoker’s Dracula, is a refreshing concept. It’s a big budget Gothic sea-fairing horror, a cinematic curiosity somewhere between Hammer Horror and The Pirates of the Carribean. When it was announced that the man who - [Countdown](https://forbiddenroom.co.uk/countdown/) - Peruse some lists of fan-favourite genre flicks from 2019 and Justin Dec’s Countdown pops up regularly. Not high on the list, but consistently enough to tickle interest. Dec’s debut feature film won’t wow the sort of people who crawled apoplectic from screenings of Us and Midsommar, but it's got enough insidious charm to please the friday night fright-lovers. In today's app-strewn world, - [Child's Play (2019)](https://forbiddenroom.co.uk/childs-play-2019/) - Lars Klevberg’s Child’s Play remake was crazy controversial on announcement. Understandable when Don Mancini, original Child's Play creator and producer, is still writing and directing Chucky films. The latest, Cult of Chucky, got a lot of love on release last year, whilst pre-emptive buzz around the remake was fairly negative. However, Klevberg and co have - [Satanic Panic](https://forbiddenroom.co.uk/satanic-panic/) - Directed by Chelsea Stardust from a story by Ted Geoghegan and a script by Grady Hendrix (Mohawk), Satanic Panic is a refreshingly daft horror comedy steeped in Satanic imagery. Its occult entertainment for The Chilling Adventures of Sabrina generation. Geoghegan’s story sports the self-aware nostalgia he first flaunted back in We Are Still Here, but - [3 from Hell](https://forbiddenroom.co.uk/3-from-hell/) - Fourteen years ago Rob Zombie unleashed The Devil’s Rejects on unsuspecting horror audiences. The film was a hit and a major departure from the Tobe Hooper brand of theatrical nostalgia he flaunted in his debut project House of 1000 Corpses. Now, 14 years later, Zombie has returned to complete the story of the nefarious Firefly - [Love Is the Devil - Blu-Ray](https://forbiddenroom.co.uk/love-is-the-devil-blu-ray/) - As with any film about art, the personality of the artist informs both art and film, John Maybury’s Love is the Devil: Study for a portrait of Francis Bacon, is a perfect example of this. The paintings of Bacon tell much about his cold, excessive, and cynical outlook, and the film must too. Maybury wants - [Aniara - EIFF 2019](https://forbiddenroom.co.uk/aniara-eiff-2019/) - Earth is fucked. We all know that, and Sci-fi is increasingly interested in how to deal with how fucked we are. Aniara, from directors Pella Kagerman and Hugo Lilja, is an epic human-centric look at post-Earth life. Aniara starts off in a well-worn futuristic world where humanity is slowly being evacuated to communes on Mars - [The Dead Don't Die - EIFF 2019](https://forbiddenroom.co.uk/the-dead-dont-die-eiff-2019/) - Flaunting one of the most delicious ensemble casts to grace a zombie film, Jim Jarmusch’s The Dead Don’t Die promised to be an off-beat remedy to an oversaturated sub-genre. Applying his signature oddball style and dreamy Americana to genre cinema, Jarmusch’s first horror comedy is an eclectic but faulted feature. In the sleepy town of - [Apostle](https://forbiddenroom.co.uk/apostle/) - Gareth Evans, best known for his two Indonesian martial arts extravaganza’s, The Raid and The Raid 2, has come home. The Welsh director, within the space of 2 explosive films, secured his name in the 21st century action hall of fame so the switch to Brit-centric period horror is a daring but welcome one. Evans’ - [V/H/S 2](https://forbiddenroom.co.uk/v-h-s-2-10-9-13/) - V/H/S rescued found-footage for me last year. It took the frankly tired cash cow medium and applied it to anthology horror, a concept that had taken a back bench in the past few years of mainstream horror. V/H/S 2 continues in the same strand, though this time a pair of private investigators stumbles across the - [The Witch - Sundance 2015](https://forbiddenroom.co.uk/the-witch-sundance-2015/) - Robert Eggers debut feature as writer/director, The Witch, is the kind of abstract horror feature that can either flounder in monotony or champion a kind of folk-tale methodology rarely seen. Announcing itself ‘A New England Folk Tale’ the feature goes on to tell the story of a colonial family who, upon exile from plantation life, - [Await Further Instructions](https://forbiddenroom.co.uk/await-further-instructions/) - It’s almost impossible for British Horror to deal with class and racism now and not feel coloured by Brexit. Johnny Kevorkian’s second feature film, Await Further Instructions, doesn’t namecheck the political shambles, but it’s a film which is, incidentally or not, coloured by it and part of a wider growing Brit-Horror theme of traumatic generational - [Baskin - Glasgow FrightFest 2016](https://forbiddenroom.co.uk/baskin-glasgow-frightfest-2016/) - Can Evrenol’s Baskin was, hands down, the most impressive feature at Glasgow Frightfest 2016. Adapted from Evrenol’s short of the same title, Baskin marks the Turkish filmmaker’s debut feature after a slew of superb shorts (worth checking out here at Evrenol’s website) which have garnered the young director a steady cult following. The film follows - [Southbound - Glasgow FrightFest 2016](https://forbiddenroom.co.uk/southbound/) - One of the stand-out features at Glasgow Frightfest 2016 was Southbound, the only anthology on the bill and perhaps the most hyped Indy horror project so far in 2016. Southbound seems the product of perfectly tuned individuals, working in tandem towards a tapestry of terror, all worthy filmmakers in their own right. Radio Silence, the - [The Mind's Eye - Glasgow FrightFest 2016](https://forbiddenroom.co.uk/the-minds-eye-ff-2016/) - The Mind’s Eye, second feature film by Almost Human writer/director Joe Begos, is a substantial step forward from his low-key debut, which we reviewed three years ago at Toronto Film Festival. In those three years, Begos has developed considerably. Where Almost Human felt tacked together by its love, passion, and visual effects, The Mind’ Eye - [The Wave - Glasgow FrightFest 2016](https://forbiddenroom.co.uk/the-wave-glasgow-frightfest-2016/) - Roar Uthuag’s The Wave has already captured the imaginations of the Norwegian people, earning one of Norway’s highest opening weekends whilst also becoming the country entry for the 88th Academy Awards. Uthaug’s superb snowy slasher Cold Prey was a hit for horror audiences the world over, spawning two sequels and securing the director’s place in - [The Hexecutioners - Glasgow FrightFest 2016](https://forbiddenroom.co.uk/the-hexecutioners-glasgow-frightfest-2016/) - Jesse Thomas Cooke, the Canadian cult filmmaker who brought us Monster Brawl and Septic Man, reunites with Septic Man writer Tony Burgess for his latest feature, The Hexecutioners. The film follows two girls who work for a euthanasia firm, newbie Malison (Liv Collins) and seasoned field agent Olivia (Sarah Power), as they venture into rural - [The Other Side of the Door - Glasgow FrightFest 2016](https://forbiddenroom.co.uk/the-other-side-of-the-door-glasgow-frightfest-2016/) - From Johannes Roberts comes The Other Side of the Door, a supernatural horror film that plays out like Pet Cemetery in India, whilst also marking Roberts’ first foray into studio horror. The film tells the story of grieving parents Maria (Sarah Wayne Callies– The Walking Dead) and Michael (Jeremy Sisto – May) who are recovering from the untimely death - [John Wick: Chapter 3 - Parabellum](https://forbiddenroom.co.uk/john-wick-chapter-3-parabellum/) - Who would have thought back in 2014, that John Wick would survive to fulfil not one, not two, but three exhilarating action epics? Who would have thought that 5 years later we’d all be glued to our seats watching a 54 year-old Keanu Reeves stab, shoot, and bash his way through a world of deadly - [Resident Evil The Final Chapter: A Perfect End to a Perfect Romance](https://forbiddenroom.co.uk/resident-evil-the-final-chapter-a-perfect-end-to-a-perfect-romance/) - It’s no secret that I adore the Resident Evil films. Paul W.S. Anderson's sprawling multi-million dollar adaptation of the classic Capcom video games has been a rollercoaster of joyous inconsistency and big-budget thrills since its inception back in 2003. Anderson's franchise full-stop The Final Chapter elicits as buoyant a response as you might expect. First things first, Anderson’s - [All the Gods in the Sky - DbD 2019](https://forbiddenroom.co.uk/tous-les-dieux-du-ciel-dbd-2019/) - Tous les Dieux du Ciel (All the Gods in the Sky), from French director Quarxxx, is an incredibly bold piece of genre filmmaking and a spellbinding debut to boot. Nodding carefully to the surrealist likes of David Lynch, the body horror of David Cronenberg, the unfathomable terror of Lovecraft, and the stark realism of the - [Incredible Violence - DbD 2019](https://forbiddenroom.co.uk/incredible-violence-dbd-2019/) - Made on behalf of troubled independent filmmakers the world over, G Patrick Condon’s debut feature Incredible Violence is a bizarre story about how far you might have to go to finish your film, murder included. For those who enjoyed the savvy genre awareness of Scream, Cabin in the Woods, or Behind the Mask: The Rise - [The Town That Dreaded Sundown - Blu-Ray Review](https://forbiddenroom.co.uk/the-town-that-dreaded-sundown-blu-ray-review/) - Alfonzo Gomez-Rejon’s 2014 remake of Charles B. Pierce’s cult classic The Town That Dreaded Sundown is a surprisingly entertaining revisit around a new set of murders sixty-five years after the original Texarkana Moonlight Murders. It’s a great idea for a Hollywood remake. Pierce’s original made him one of the Godfathers of the Slasher genre, gave - [Halloween (2018)](https://forbiddenroom.co.uk/halloween-2018/) - The buzz around David Gordon Green’s Halloween has been insane. Fresh blood behind the lens, the blessings of franchise instigator/genre icon John Carpenter, and the return of Jamie Lee Curtis to a role that launched her career back in 1978. If you ignore Rob Zombie's remake and it’s sequel, there hasn’t been a Halloween film - [Bloody Muscle Body Builder in Hell](https://forbiddenroom.co.uk/bloody-muscle-body-builder-in-hell/) - Thankfully, Bloody Muscle Body Builder in Hell is as fun as it sounds. The debut film from Japanese director Shinichi Fukazawa is an adoring love-letter to the age of V/H/S and the morals cheap direct-to-video entertainment. In it, Shinji (Fukazawa himself as a disappointingly scrawny body-builder) visits the old abode of his recently diseased father with his ex-girlfriend and - [The Brood](https://forbiddenroom.co.uk/the-brood-7-7-13/) - David Cronenberg’s cult classic The Brood is perhaps one of the most innovative and surprising films to deal with the dangers of psychological therapy. Starring Oliver Reed as the mysterious therapist, Dr Raglan, Art Hindle as Frank Carveth, and Samantha Eggar as Nola Carveth, The Brood explores the possibilities for body horror in medical science - [H. - Sundance 2015](https://forbiddenroom.co.uk/h-sundance/) - H. written and directed by Rania Attieh and Daniel Garcia, was probably the most elusive film at Sundance 2015. A bizarre and entirely dream-like representation of a town gripped by otherworldly surrealism, H. never wanders outside its frame, keeping the logistics of its concepts consistent, and never firing ideas off that are too odd or - [Larry Kramer In Love and Anger - Sundance 2015](https://forbiddenroom.co.uk/larry-kramer-in-love-and-anger/) - If you don’t know who Larry Kramer is, it’s about time you did. The outspoken (read: insanely enraged) activist was a bubbling catalyst for, not simply the gay rights movement but stemming the horrific tidal wave of death that came with the AIDS epidemic. Larry Kramer in Love and Anger is in in-depth account of - [First Reformed](https://forbiddenroom.co.uk/first-reformed/) - Paul Schrader has had a reputation for weighty mainstream releases since penning the script for Taxi Driver in 1970. Since then his CV has been an eclectic barrage of hard-hitting tension trips, philosophical ruminations, and total flops across multiple genres. His latest film, First Reformed, is one of his finest, most challenging, features to date. - [Hereditary](https://forbiddenroom.co.uk/hereditary/) - Ari Aster’s debut film has crawled under the skins of audiences all over the world by now. Hereditary’s simple, family-in-a-grief-vacuum, approach to genre filmmaking is a studied turn from the norm, a stylish experimental melodrama carefully engineered to avoid traditional scares. Aside from awards buzz for its cast, Hereditary is showing up cracks in the - [Terrified](https://forbiddenroom.co.uk/terrified/) - Decent scares are hard to come by, but Demian Rugna’s Terrified is a sure-fire bet for even the most hardened of viewers. Making its premier at this year’s Frightfest, Argentinian writer/director Rugna’s third feature film is a 2018 stand out and a savvy twist on traditional hauntings. Kicking off with a confrontational bit of poltergeist - [Leatherface](https://forbiddenroom.co.uk/leatherface/) - Crafting a prequel to one of the most iconic horror films of all time is a bold move. It didn’t work for The Exorcist Films (either time), Rob Zombie’s Halloween suffered from oversharing, and The Thing couldn’t top Carpenter’s original. Besides, TTCM already has a remake, and a prequel to that remake, so going further - [Knuckleball - DbD 2018](https://forbiddenroom.co.uk/knuckleball-dbd-2018/) - If like me you're a total sucker for decent home invasion, Michael Peterson’s Knuckleball is a debut worth checking out. Home invasion is an old stalwart fixture of the horror genre and every decade has its hits, from Black Christmas in the 70's to Funny Games in the 90's, there's been plenty to fear from - [It Follows - Sundance 2015](https://forbiddenroom.co.uk/it-follows-sundance-2015/) - Aside from its prologue, which introduces the threat and what it does, David Robert Mitchell’s It Follows presents a hazy kind of teenage dream. A beautiful girl, Jay (an unforgettable turn from Maika Monroe), goes on a date with a typically attractive uncharacteristically nice older guy, obviously things take a sharp U-turn into nightmare grounds, - [What Happened Miss Simone? - Sundance 2015](https://forbiddenroom.co.uk/what-happened-miss-simone-sundance-2015/) - Nina Simone is one of those people who requires no introduction, but after viewing Liz Garbus’ stellar documentary What Happened, Miss Simone?, you might be surprised how little you knew about the outspoken songstress. First and foremost, this is a film about love and music, specifically Simone’s love for music which seemed to go beyond - [Finders Keepers - Sundance 2015](https://forbiddenroom.co.uk/finders-keepers-sundance-2015/) - Finder Keepers may just sport one of the most bizarre, madcap, premises for a documentary ever. If not that, then it at least takes the prize biscuit for trying to fathom an unquestionably bonkers situation. Back in 2007, wheeler dealer Shannon Whisnant bought a BBQ grill from an abandoned lock-up. After getting the thing home - [Best of Enemies - Sundance 2015](https://forbiddenroom.co.uk/best-of-enemies-sundance-2015/) - Two of American political history’s most arresting conservationists, will forever be heavy weight republican William F. Buckley and lizard-tongued liberal Gore Vidal. Now, whatever your political beliefs, one can neither deny the magnetism of either men, nor the balanced way in which they are dealt with in Best of Enemies. Robert Gordon and Morgan Neville - [Christmas Again - Sundance 2015](https://forbiddenroom.co.uk/christmas-again-sundance-2015/) - Ever been dumped at Christmas? If so, Charles Poekel’s yuletide misery tale Christmas, Again will prove unfortunately familiar for you. Give it time though, and it might just teach you a thing or two about the grieving process. Kentucker Audley delivers a tender portrayal of festive alienation as Noel, a young man working the streets - [Reversal - Sundance 2015](https://forbiddenroom.co.uk/reversal-sundance-2015/) - Eve (Tina Ivlev) has been chained in a dismal basement for some time, the victim of an obsessive sexual predator, Phil (Richard Tyson), who treats her like his pet. Against the grain of the average horror feature, Jose Manuel Cravioto’s Reversal sees its punchy heroine brutally escape in the opening minutes and -you guessed it-reverse - [Knock Knock - Sundance 2015](https://forbiddenroom.co.uk/knock-knock-sundance-2015/) - First off, Knock Knock is Eli Roth’s fifth and arguably most accomplished feature to date, redeeming his CV after hollow hark-back cannibal flick, The Green Inferno. Roth seems to be firing on all cylinders, assaulting the viewer with a cocktail of bad taste super cringe-cum-deviously dark comic thriller. Funny Games plays inspiration as Evan, a - [Mississippi Grind - Sundance 2015](https://forbiddenroom.co.uk/mississippi-grind-sundance-2015/) - Mississippi Grind, directed by Anna Boden and Ryan Fleck, tells the story of Gerry (Ben Mendelsohn), a talented but debt ridden poker player. Enter Curtis, a charming, charismatic traveller who plays for fun and strikes up an unlikely friendship with Gerry after discovering he might be the troubled gamblers lucky charm. Reynolds and Mendelsohn fit - [True Story - Sundance 2015](https://forbiddenroom.co.uk/true-story-sundance-2015/) - Rupert Goold, artistic director responsible for the recent American Psycho musical, makes his screen debut in True Story, a cat and mouse psychological thriller starring Jonah Hill and James Franco. Michael Finkel (Hill), a disgraced New York Times Magazine journalist creeps out of self-exile when he discovers Christian Longo (Franco), a man accused of murdering - [DRUNK STONED BRILLIANT DEAD - Sundance 2015](https://forbiddenroom.co.uk/drunk-stoned-brilliant-dead-sundance-2015/) - For most people National Lampoon means Vacation and Animal House, two of the most important comedies to come out of the USA. Douglas Tirola’s documentary DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon is an extraordinary look at the development of the institute from its low-budget satirical beginnings. The most impressive aspect of - [Listen to Me Marlon - Sundance 2015](https://forbiddenroom.co.uk/listen-to-me-marlon-sundance-2015/) - Debatably the most intimate documentary biopic ever conceived, Listen to Me, Marlon is a genuine and intimate exploration of the actor’s troubled existence told by the man himself. Excavated from hundreds of hours of audio recordings, Stevan Riley’s is an absolutely stunning presentation going above and beyond the usual aims, methods, and results, of a - [Partisan - Sundance 2015](https://forbiddenroom.co.uk/partisan-sundance-2015/) - Ariel Kleiman’s Partisan, co-written with Sarah Cyngler, was one of the most intriguing and well-executed features of Sundance 2015. A strange dystopian film grounded in a harsh realistic cult-environment, the film looks at the lengths one man goes to in order to exert control over his world. Raised on the fringes of a dystopian slum, - [Hellions - Sundance 2015](https://forbiddenroom.co.uk/hellions-sundance-2015/) - Hellions, the latest from Canadian director Bruce McDonald is overwhelmingly disappointing considering how impressive his 2008 horror venture Pontypool was. On Halloween night, Dora Vogel (Chloe Rose) is a fraught pregnant teenager all alone as the Pink moon looms. Shut-off from the rest of the town, a group of demonic child-like beings called Hellions threaten - [The Nightmare - Sundance 2015](https://forbiddenroom.co.uk/the-nightmare-sundance-2015/) - Rodney Ascher impressed with his insightful Kubrick excavation Room 237, but for his next documentary The Nightmare, Ascher points the camera at 8 individuals haunted by the terrors of sleep paralysis. These experiences are relayed to us with conversational intimacy and a brand of frankness that’s laudable and often funny. However, specific fears, especially those - [The Forbidden Room - Sundance 2015](https://forbiddenroom.co.uk/the-forbidden-room-sundance-2015/) - Like a foreign lucky bag, you just don’t know what you’re getting with Guy Maddin’s latest feature The Forbidden Room. It looks like sweets and tastes like sweets, but it sure as Hell isn’t anything I’ve tasted before. The flavours are nostalgic and even peppered with undercurrents we might recognise, but altogether this is a - [Western - Sundance 2015](https://forbiddenroom.co.uk/western-sundance-2015/) - Brother documentarians Bill and Turner Ross turn their attentions to the Texas/ Mexico border for Western an astoundingly evocative examination of US border politics. Martin Wall, a fifth-generation cattleman, lives an idyllic existence in Eagle Pass, raising his young daughter with his friends and trading with the people of Piedras Negras. Chad Foster is a - [Reaper](https://forbiddenroom.co.uk/reaper/) - Philip Shih’s Reaper is, from the start, an over encumbered feature. There’s a kind of attention deficit that leaves its numerous concepts glazed over, where the feature could quite possibly have achieved much more with much less. Take its opening scene, a hooded figure fiddles with numerous rusty instruments, whilst dubious news coverage barely relates - [Torment](https://forbiddenroom.co.uk/torment/) - Jordan Barker’s Torment probably wont be as tormenting as you’d like it to be, but its still worth a look if you’re a fan of home invasion narratives. Newly weds Sarah and Cory Morgan (Katharine Isabelle and Robin Dunne) travel to their country home to put the past behind them and start a new family, - [Dark Tourist](https://forbiddenroom.co.uk/dark-tourist/) - Dark Tourist opens with a man sitting in a shady apartment, cracking and salting a boiled egg, then smoking a cigarette with the thing filling his gob. Not since De Niro’s Cyphre chowed down whole eggs in Angel Heart, has it been so eerie and fitting to watch a man consume chicken ovulations. Scenes like - [Open Grave - DVD Review](https://forbiddenroom.co.uk/open-grave-dvd-review/) - After a strong opening sequence of utter intrigue and obvious horror cliché, Gonzalo Lopez- Gallego’s Open Grave unfortunately skips the beats between impressive horror moments. The opening awakening is followed by the disappointing decision to have a group of amnesiac strangers collide and hit high-tension in a deserted house. It’s a set-up too often seen - [The Other](https://forbiddenroom.co.uk/the-other/) - Robert Mulligan’s (To Kill a Mocking Bird) The Other cleverly disguises itself; a depression-era domestic tale of family on the farm masking an often gruelling psychological horror. Adapted by Tom Tryon from his own novel, The Other is an eclectic mix of dysfunction, the supernatural, and fractured psychologies, wrapped up in gorgeous Technicolor. Slowly, Mulligan - [Mon Mon Mon Monsters - DbD 2018](https://forbiddenroom.co.uk/mon-mon-mon-monsters-dbd-2018/) - Mon mon mon Monsters, pronounced as if Scooby Doo was saying it, is a odd horror drama about lonely high school life, and...monsters. Though put aside any hopes of a adult Scooby Doo style horror movie. One of the issues is that the film opens with a great kill, introducing the monsters (more feral humans, - [Downrange - DbD 2018](https://forbiddenroom.co.uk/downrange-dbd-2018/) - Back in 2014 cult Japanese director Ryuhie Kitamura delivered No One Lives, a camp pseudo-slasher with an inventive approach to gore and a ridiculous approach to logic. This year, Kitamura is back with Downrange, a visceral thriller which strands a group of strangers in the scopes of a merciless sniper. No One Lives has a - [Rabbit - DbD 2018](https://forbiddenroom.co.uk/rabbit-dbd-2018/) - Twin Horror is one of the oldest tricks in the horror hand book. For hundreds of years folk lore and film have regarded twins with a weary eye, putting twins and doppelgängers in the same basket of eerie impending doom. Luke Shanahan’s Rabbit takes that idea and makes a film as odd and disorientating as - [No One Lives - DVD Review](https://forbiddenroom.co.uk/no-one-lives-dvd-review/) - Old-school horror, the kind that makes you laugh and squirm in equal measure, is frightfully hard to come by these days. Either a film doesn’t have the charm to pull off an enjoyable venture into the grotesque, or it lacks the balls and brains to relay a truly horrifying venture. Arguably No One Lives is - [Treehouse - DVD Review](https://forbiddenroom.co.uk/treehouse-22-10-14/) - Even if it feels like an episode of X-Files and looks like it was shot by the Home and Away team, Michael Bartlett’s Treehouse is actually pretty interesting. For one thing, setting a large lump of the action in a treehouse is pretty astute: it’s small, claustrophobic, terrifying at night, and seemingly easy to defend - [Lesson of Evil - Blu-Ray Review](https://forbiddenroom.co.uk/lesson-of-evil-blu-ray-review/) - Japanese master of splat Takashi Miike has flirted with the dark and downright seedy since his debut in 1991. From there the infamous horror director has carved an impressive career for over twenty years that has garnered him one of the most enthusiastic trans-national fanbases in modern cinema, arguably thanks to his relatively low-key high-production - [You Are Not Alone - DVD Review](https://forbiddenroom.co.uk/you-are-not-alone-dvd-review/) - You Are Not Alone, written and directed by Mark Ezra (Slaughter High), follows screenwriter Matt and his musician girlfriend Jen, who trade their California home for the atmospheric wiles of a Glastonbury manor. Soon after arrival, however, strange things start happening and the couple are forced to confront the fact they might not be as - [Lizzie Borden Took An Axe - DVD Review](https://forbiddenroom.co.uk/lizzie-borden-took-an-axe-dvd-review/) - In 1892, a young American woman named Lizzie Borden was tried and acquitted for the axe murders of her mother and father after a controversial trial. Even if you didn’t know about the acquittal you’ve most probably heard the name or the rhyme: Lizzie Borden took an axe And gave her mother 40 whacks When - [The Cabin - DVD Review](https://forbiddenroom.co.uk/the-cabin-dvd-review/) - From the outset, there’s little consideration shown in Matt Thompson’s The Cabin. The film begins with the death of a native at the hands of some husky looking 17th century all-American bozos, then a tribe place a curse on the lands to get rid of the brutes, then a guy gets possessed and there’s a - [The Quiet Ones - Blu-Ray Review](https://forbiddenroom.co.uk/the-quiet-ones-blu-ray-review/) - Hammer productions, the British heavyweight in horror, has a varied and vivid history spanning some 60 years. Continually resurrected and sent out to terrorize the world not simply as a dinstinctly British brand of haunting tales, but as a worldwide brand synonymous with cult following. In 2007 the company was again brought back from the - [Faust - Blu-Ray Review](https://forbiddenroom.co.uk/faust-21-8-14/) - In 1926 F.W. Murnau, the silent-era master of macabre, released what would be his final German film before moving on to the Western market and stepping into the era of the “talkie”. Faust, seems an apt farewell, not only to Murnau’s own golden years, but to the entire movement of silent cinema. Based on the - [Possum - EIFF 2018](https://forbiddenroom.co.uk/possum-eiff-2018/) - Possum, the debut feature film from Mathew Holness, is a decrepit psychological horror indebted to the psycho-thriller hits of the 60’s and 70’s. Ditching the camper, cruder, and more cult-infused merits of Garth Marenghi’s Darkplace, Holness has his sights set on gut-wrenching disturbia, swapping over-dramatic, self-important zaniness, for emotional trauma, child abuse, and schizophrenia. For those expecting charm, and laugh out loud deadpan, maybe give this a miss. Philip - [The Predator](https://forbiddenroom.co.uk/the-predator/) - It’s been over 30 years since the Predator first stomped onto our screens, yet the inter-galactic hunter hasn’t quite had the success of his contemporaries. Even though the Predators are as instantly recognisable as Alien, and effortlessly cooler, they’ve never had an easy journey to the big screen. The buzz for Kiss Kiss Bang Bang - [Horns - TIFF 2013](https://forbiddenroom.co.uk/horns-tiff-2013/) - Based on the bestselling novel by Joe Hill (that’s horror maestro Stephen King’s son), Horns is a spellbinding gothic fairy tale that tackles lost love and the pits of human nature to deliver one of the most enjoyable horror flicks in some time. This was one of the highlights of this year's Toronto International Film - [Cold Eyes - TIFF 2013](https://forbiddenroom.co.uk/cold-eyes-tiff-2013/) - One of the most accomplished and stand-out features at Toronto International Film festival this year is the slick, fierce, and ingenious Korean thriller Cold Eyes. A bank robbery and the induction of a fresh faced operative to a shadowy police surveillance team, I’m a sucker for a concise, fast-paced opening and Cold Eyes has a - [Break Loose - TIFF 2013](https://forbiddenroom.co.uk/break-loose-tiff-2013/) - Russia circa 1999 (perhaps even now?) looks like a dangerous place, a place where men are men and looking at someone the wrong way can result in carnage. At least in Aleksey Uchital’s Break Loose, a high-testosterone tragedy that documents the concepts of family, poverty, and cyclical violence around a Russian Ghetto at the turn - [Penthouse North - DVD Review](https://forbiddenroom.co.uk/penthouse-north-dvd-review/) - On New Year ’s Eve, blind photo journalist Sara (Michelle Monaghan) finds her New York penthouse apartment turned into a private hell when she is stalked by a sadistic criminal intent on finding a hidden fortune. Directed by Joseph Ruben (The Forgotten) and written by David Loughery (Lakeview Terrace) Penthouse North understands the basic mechanics - [Hunting the Legend - DVD Review](https://forbiddenroom.co.uk/hunting-the-legend-dvd-review-29-7-14/) - Bigfoot, Yeti, and Sasquatch, all different variations of the same age-old terror: a gargantuan primate thought to roam the wilds of Earth’s mountain ranges and forests. Of course, little evidence exists, but a quick google search can prove that plenty people claim to have seen these elusive terrors. In fact, so many people claim to - [Camp Dread - DVD Review](https://forbiddenroom.co.uk/camp-dread-dvd-review/) - Harrison Smith impressed with his script for 2011’s The Fields, following on from that Camp Dread is his directorial debut. Set around a summer camp reality show incepted and run by Julian Barratt (Eric Roberts), the writer and director of a classic slasher franchise. A group of young adults are brought to the location of - [Almost Human - TIFF 2013](https://forbiddenroom.co.uk/almost-human-tiff-2013/) - The main problem with Almost Human is that its poster is almost cooler and more grabbing than the film itself. The feel of the film exudes a kind of B-movie charm and cult excellence that has crept its way into vogue over the past decade, thanks to a general boredom with the shiny glaze Hollywood - [Rapture - Blu-ray Review 29/7/14](https://forbiddenroom.co.uk/rapture-blu-ray-review-29-7-14/) - Until now, John Guillermin’s coming-of-age story Rapture has perhaps been side-lined amidst his bigger budget productions. Films like The Towering Inferno and King Kong prove Guillermin’s mastery over the bigger picture, whilst Rapture is an altogether different kind of enthralling adventure, and with its DVD release, you can now see his startlingly beautiful vision of - [Under the Skin - TIFF 2013](https://forbiddenroom.co.uk/under-the-skin-tiff-2013/) - Directed by Jonathan Glazer (Sexy Beast) and filmed entirely on location across Scotland Under the Skin is a film flaunting incredible cinematography strung together by a predominantly performance-orientated narrative. Based on the Novel by Michael Faber, Under the Skin follows Laura (Scarlett Johansson), an alien from another world, as she travels across Scotland kidnapping young - [Cannibal - TIFF 2013](https://forbiddenroom.co.uk/cannibal-tiff-2013/) - Considering its title, it may be hard to accept that Manuel Martin Cuenca’s Cannibal was one of the most subtle and endearing features at this year’s Toronto International Film Festival. The first twenty minutes are a stunning Noir-esque example of raw grotesque violence in coordination with stunning visuals, subtle but powerful. These scenes, like all - [Gerontophilia - TIFF 2013](https://forbiddenroom.co.uk/gerontophilia-tiff-2013/) - The Oxford dictionary of Psychology defines the rather ominous term Gerontophilia thus: ‘A paraphilia characterized by recurrent, intense sexual fantasies, urges, or behaviour involving sexual activity with old people’. Bruce La Bruce’s feature film makes certain attempts at uncovering the nature of this particular affliction and in-so-doing unveils a bizarre fusion of love, obsession, and - [Supermensch: The Legend of Shep Gordon - TIFF 2013](https://forbiddenroom.co.uk/supermensch-the-legend-of-shep-gordon-tiff-2013/) - Mike Myers’ directorial debut is proof not only that he’s a skilled director and impressive documenter, but the subject of his film is probably one of the coolest men to ever live. Shep Gordon, manager extraordinaire, is a power house of productivity, a messiah of good times, and an all-round nice guy. He’s managed Alice - [Thou Gild'st the Even - TIFF 2013](https://forbiddenroom.co.uk/thou-gildst-the-even-tiff-2013/) - Undoubtedly one of the most bizarre features at the 2013 Toronto International Film Festival is Turkish oddball drama Thou Gild’st the Even: a film that may strain the patience of some viewers but captivate others with its casual absurdity. Onur Unlu’s film explores sorrow, hope, and the insanity of human nature through the life of - [Gravity - TIFF 2013](https://forbiddenroom.co.uk/gravity-tiff-2013/) - Only the human race would look at the void hell of space and think ‘we should probably go there’. Time and time again cinema gives us a big long list of reasons to stop and, naturally, no one listens. Look at Alien, Sunshine, Event Horizon, Apollo 13, pick whatever one you like. It all ends - [Man of Tai Chi - TIFF 2013](https://forbiddenroom.co.uk/man-of-tai-chi-tiff-2013/) - At one point in time many of us owed our teenage years to Keanu Reeves. Not only did the guy become a global star overnight thanks to The Matrix but he also put Kung-Fu back in vogue. Perhaps because of his affinity with martial arts Reeves has decided to make his directorial debut in Man - [Devil's Knot - TIFF 2013](https://forbiddenroom.co.uk/devils-knot-tiff-2013/) - Back in 1993, three boys wandered into the woods of a small Arkansas town and never came out again, their bodies were found hog-tied and dumped in the river, apparent victims to a satanic murder. Quickly, but with little actual evidence, the crimes were pinned on three teens aptly labelled ‘The West Memphis Three’. The - [The Most Assassinated Woman in the World - EIFF 2018 Review](https://forbiddenroom.co.uk/the-most-assassinated-woman-in-the-world-eiff-2018-review/) - For horror enthusiasts, Franck Ribiere's The Most Assassinated Woman in the World, a film centred around Paris' infamously depraved Grand Guignol theatre, is an absolute treat. Part biopic, part period thriller, part giallo film, Ribiere's first time in the director's chair has yielded an ambitious taste-board of classic and contemporary horror thrills around the life of Paula Maxa, star of the Guignol, and titular Assassinatee. From - [Piercing - EIFF 2018 Review](https://forbiddenroom.co.uk/piercing-eiff-2018-review/) - Back in 2016 Nicolas Pesce wowed with his dark debut The Eyes of My Mother, now, two years later, he follows up with quirky killer-thriller Piercing. Adapted from the novel of the same name by Ryu Murakami (Japan's other bestselling Murakami), Pesce has chosen to go in a very different direction with his sophomore feature. Reed (Christopher Abbott) is a - [Bad Kids of Crestview High - EIFF 2017](https://forbiddenroom.co.uk/bad-kids-of-crestview-high-eiff-2017/) - Bad Kids of Crestview High, the sequel to 2014’s Haunting at Crestview High (aka Bad Kids Go to Hell), is every bit as daft and inane as it’s predecessor. Based on Barry Werwick's graphic novel, its a silly slasher hark-back with its tongue planted in its cheek and it’s dialogue somewhere south of stupid. Like - [Swinging Safari - EIFF 2018 Review](https://forbiddenroom.co.uk/swinging-safari-eiff-2018-review/) - Since his debut feature film in 1993, Australian auteur Stephan Elliott has made 10 films, none more successful or iconic than the exuberant drag queen road movie, Priscilla Queen of the Desert. The writer/director returns this year with Swinging Safari (aka Flammable Children) a vibrant flashback to 1970's Australia and, what is bound to become, one of his biggest successes since the cult stardom of Priscilla. Growing up in - [Terminal - EIFF 2018 Review](https://forbiddenroom.co.uk/terminal-eiff-2018-review/) - Set in an unnamed futuristic city, Vaughn Stein's debut feature Terminal is an eccentric but troubled neo-noir thriller. On paper the film sounds pretty intriguing: Margot Robbie as a dangerously ambitious assassin, Simon Pegg as a suicidal school teacher, Dexter Fletcher and Max Irons as a potty mouthed hitman and his apprentice, all of them caught up in a - [Monstro! - DVD Review](https://forbiddenroom.co.uk/monstro-dvd-review/) - Rarely do we get a chance to see shameless grindhouse features hell bent on fast paced schlock and rip-roaring fun, and it’s on those grounds that Australian independent flick Monstro! delivers. Written and directed by Stuart Simpson and put together Guerrilla-style by a small crew of obviously dedicated individuals this is probably the underdog Indy - [The Bay - Blu-ray Review](https://forbiddenroom.co.uk/the-bay-blu-ray-review/) - The Bay is one of those films that, for a while, refused to dismount all your favourite horror sites, instead riding a wave of publicity that saw its posters, trailers, and clips trickle down to a (generally) not-too-bothered fan base. Considering the fact that Barry Levinson (Rain Man) is in the director’s chair it’s easy - [Extracted - DVD Review](https://forbiddenroom.co.uk/extracted-dvd-review/) - At first glance Nir Paniry’s neuro-trip Extracted (nee Extraction) can seem a little too Inception for its own good. Nolan’s cerebral masterpiece has unfortunately taken command of an entire ocean of narrative possibility meaning that no matter what happens, any film that tries to tackle this area will undoubtedly end up being compared to the - [Ray Harryhausen: Special Effects Titan - Blu-ray Review](https://forbiddenroom.co.uk/ray-harryhausen-special-effects-titan-blu-ray-review/) - ‘Gushing fan boys’ is the phrase that jumps to mind throughout Gilles Penso’s Ray Harryhausen: Special Effects Titan, a documentary that looks at the life , work, and legacy of one of Hollywood’s most innovative creators. It’s not just Penso’s obvious enthusiasm towards an idol, but of everyone else involved; directors like Tim Burton, James - [John Dies at the End - GFF 2013](https://forbiddenroom.co.uk/john-dies-at-the-end-gff-2013/) - When I hear cult-auteur Don Coscarelli is working on a new film I get pretty excited, I read a synopsis and my excitement grows, Angus Scrimm (the Tall Man!) signs on for a cameo and I find out the film is based on a book reputed to be “unfilmable”. I swoon in my soul. What - [Curandero - DVD Review](https://forbiddenroom.co.uk/curandero-dvd-review/) - Back in 2005 Grindhouse maestro Robert Rodriguez (Planet Terror, From Dusk Till Dawn) wrote a Spanish-language script about a satanic descent into the seedy Mexican underworld, where a sheepish exorcist and kick-ass cop are on the hunt for a bloodthirsty cult. The film was shelved and hasn’t seen the light of day until now. Curandero - [Magic Magic - EIFF 2013](https://forbiddenroom.co.uk/magic-magic-eiff-2013/) - Tonally speaking Magic Magic hits the nail on the head, achieving from start to finish the truly disconcerting vibe of an oncoming storm. From the word go, things seem to be piling up against Juno Temple’s Alicia, a girl so wrought with anxiety and despair it’s a wonder she was allowed to travel on her - [The ABC's of Death - Blu-ray Review](https://forbiddenroom.co.uk/the-abcs-of-death-blu-ray-review/) - The ABC's of Death is probably one of the most ambitious horror spectacles ever conceived: 25 letters of the alphabet, 25 directors from all over the world, and total free reign on the choice of project other than sticking to your letter. Obviously with something this big, spanning numerous countries and cultures, the outcome was - [The Returned - Blu-ray Review](https://forbiddenroom.co.uk/the-returned-blu-ray-review/) - A disappointing watch for anyone who’s got too caught up in the word zombie, Robin Campillo’s 2004 film The Returned is a haunting original tale of undead awakening. Now a major series with the same title, The Returned has obviously addressed a void in the zombie market and caught people’s imaginations, Campillo’s eye for political - [Pi - Blu-ray Review](https://forbiddenroom.co.uk/pi-16-8-13/) - Darren Aronofsky’s debut feature Pi celebrates its 15th anniversary this year with a refurbed and repackaged Blu-ray release, so it’s the perfect time to revisit everyone’s favourite head-fuck mathematics film. Following the exploits of paranoid mathematician Maximillian Cohen (Sean Gullette), the film explores the relationship between math and nature, detailing the vast intricate system of - [Hammer of Gods](https://forbiddenroom.co.uk/hammer-of-gods/) - If you can, try to sweep past the dull blasé action cover that adorns director Farren Blackburns’ feature debut, Hammer of Gods. To be honest don’t invest too much stock in the title either which, in its giant silver lettering, looks like the proud wrapping for a boy’s action figure. Past that, there’s a film - [Snow Woman - EIFF 2017](https://forbiddenroom.co.uk/snow-woman-eiff-2017/) - Ghost Woman, the debut feature film from Kiki Sugino, draws inspiriation from Japanese folklore and the classic story of Kaidan. For some viewers, the film may feel overly familiar but it’s a charming, fresh-faced, and self-aware take on an old story. Sugino draws inspiration from the two previous film adaptations, but allows her own eerie - [Rage - EIFF 2017](https://forbiddenroom.co.uk/rage-eiff-2017/) - Following in the footsteps of complex murder dramas like Memories of Murder and I Saw the Devil, Rage, from Japanese director Sang-il Lee, has a tense yet tender approach to traditional thrillers. In it, three seemingly unrelated stories of love and loss slowly draw together around a vicious murder. Two teenage lovers stumble across a strange, but friendly, - [Temple - DVD Review](https://forbiddenroom.co.uk/temple-dvd-review/) - There's a lot of BS floating around just now regarding the writing credit on William Barrett's directorial debut Temple. If you're to believe the posters, Temple is the latest potentially lucrative film from the mind of Simon Barrett, writer behind The Guest, You're Next, and last year's surprise Blair Witch sequel. In actual fact, Barrett has distanced himself from the project, penning an open letter which reveals he wrote a script - [Guardians - EIFF 2017](https://forbiddenroom.co.uk/guardians-eiff-2017/) - Whilst Marvel sustains a stranglehold on action adventure films and continues to monopolise the superhero genre, reactionary releases are appearing more and more. Sarik Andreasyan's Russian super soldier mash up The Guardians is an enjoyably barmy example of a pulpy under-dog reaction to Marvel's expanding universe. Set up during the Cold War, The Guardians were a crack team of superhumans gathered from multiple Soviet - [Pilgrimage - EIFF 2017](https://forbiddenroom.co.uk/pilgrimage-eiff-2017/) - Whilst most of the praised Irish produce of the past few years has been horror, Brendan Muldowney's Pilgrimage provides an unforgiving trip into the rarer realm of British swords 'n' sandals adventure. The film follows a group of priests who leave the rural confines of their secluded abbey to escort a holy relic on a - [Train to Busan - DVD Review](https://forbiddenroom.co.uk/train-to-busan-dvd-review/) - Last year Yeon Sang-Ho's animated horror Seoul Station plotted the course of a viral outbreak in South Korea with solid, but not groundbreaking, results. The hype for Sang-Ho's debut live-action film has been unparalleled and the reviews overwhelmingly enthusiastic. Thankfully its deserved. Seok-Woo (Yoo Gong- Age of Shadows) is a self-serving businessman with little time - [Among the Living - Blu-Ray Review](https://forbiddenroom.co.uk/among-the-living-blu-ray-review/) - Among the Living is the latest film from Alexandre Bustillo and Julien Maury, the French duo who first made a name for themselves with the shocking home invasion film Inside. Their new film follows a trio of school-skipping boys who, whilst on a cross-country adventure, stumble across an abandoned film studio. At the studio, they - [To Steal from a Thief - EIFF 2016](https://forbiddenroom.co.uk/to-steal-from-a-thief-eiff-2016/) - Acclaimed Spanish director Daniel Calparsoro returns to feature filmmaking with heist flick To Steal from a Thief (Cien Anos de Perdon). The Valencia-set thriller follows a group of highly-organised criminals who become trapped in the bank they are trying to rob. With the authorities massing outside matters are further complicated by a corrupt government group - [Mother - EIFF 2016](https://forbiddenroom.co.uk/mother-eiff-2016/) - Mother (Ema) is the third feature film from young Estonian director Kadri Kousaar, it’s also her first film to really dig its heels into the role of women in contemporary culture.Mother is about an unnamed aging woman stuck in the trap of domestic existence. Her situation is particularly vexed by the round-the-clock care she must - [Macbeth Unhinged - EIFF 2016](https://forbiddenroom.co.uk/macbeth-unhinged-eiff-2016/) - The directorial debut from Scottish actor Angus Macfayden (Braveheart, Saw II) Macbeth Unhinged is a courageous, but faulted, reinterpretation of the timeless Shakespeare play. Macfayden, who also wrote the film, updates The Bard’s “Scottish Play”, repositioning it in gangland America, using derelict urban environments and the back of a limousine as his primary locations. It’s - [Seoul Station - EIFF 2016](https://forbiddenroom.co.uk/seoul-station-eiff-2016/) - Yeon Sang-Ho, the South Korean director who brought us animated thrillers The King of Pigs and The Fake, returns to with zombie film Seoul Station. Yes, zombies might be done to death (couldn’t resist) but there’s still room for fun in that swamped sub-genre. As a zombie film, Seoul Station is hampered by the fact - [FirstBorn - EIFF 2016](https://forbiddenroom.co.uk/firstborn-eiff-2016/) - Firstborn, the debut feature from Nirpal Bhogal, is a surprisingly effective hark-back to supernatural domestic thrillers of the 70s. Charlie (Antonia Thomas) and James (Luke Norris) are a young couple with a new born baby which appears to attract supernatural attention. As time goes by and baby Thea grows up, the family find themselves increasingly - [The Man Who Was Thursday - EIFF 2016](https://forbiddenroom.co.uk/the-man-who-was-thursday-eiff-2016/) - Adapted from the classic 1908 existential novel by G. K. Chesterton, Balazs Juszt’s directorial debut is a heady thriller. Splitting time between a fascist-period attempt on Mussolini’s life and a contemporary plot to assassinate the pope, The Man Who Was Thursday takes place in the darker backstreets of faith. This is a ballsy translation of - [Hunt for the Wilderpeople - EIFF 2016](https://forbiddenroom.co.uk/hunt-for-the-wilderpeople-eiff-2016/) - Taika Waititi’s Hunt for the Wilderpeople is a step in the family-friendly direction after 2014’s horror mockumentary What We Do in the Shadows and it’s an absolute blast. One of the most impressive films at Edinburgh International Film Festival 2016, Waititi’s third feature film is destined to enjoy success around the world with all ages. - [Holidays - EIFF 2016](https://forbiddenroom.co.uk/holidays-eiff-2016/) - Holidays is the latest anthology film you’ll want to tick off your list if you’ve enjoyed recent projects like The ABCs of Death, A Chirstmas Horror Story, or the V/H/S films. One of the campest anthology films in a while, Holidays feels closer to George A. Romero and Stephen King’s’s 80’s pulp extravaganza Creepshow, than - [The Lure - EIFF 2016](https://forbiddenroom.co.uk/the-lure-eiff-2016/) - The most unique, colourful, and impressive film at Edinburgh International Film Festival was easily The Lure; a macabre Polish siren musical that seduces as well as it thrills. Director Agnieszka Smoczynska has put together a remarkable piece of work with a talented team of Polish artists, so look no further if splendorous audio-visual fairs are - [The Love Witch - EIFF 2016](https://forbiddenroom.co.uk/the-love-witch-eiff-2016/) - Anna Biller’s fourth feature film The Love Witch cements her as a consummate talent and aesthetically gifted artist with seductively witchy control over her aesthetic. Writer, editor, production designer, and director, Anna Biller is one of the stand-out talents of Edinburgh international Film Festival 2016. Some of the film is perhaps too reminiscent of meandering - [Yoga Hosers - EIFF 2016](https://forbiddenroom.co.uk/yoga-hosers-eiff-2016/) - If you didn’t like Tusk, then chances are you could find Kevin Smith’s latest schlocky comedy adventure Yoga Hosers an absolute irritation. Smith’s latest addition to the True North Trilogy is a direct spin-off from Tusk which harks back to Clerks, fusing his earlier structure and themes with his later, more outré genre work. This - [Seat in Shadow - EIFF 2016](https://forbiddenroom.co.uk/seat-in-shadow-eiff-2016/) - Accomplished sculptor and avant-garde artist Henry Coombs arrived at Edinburgh film festival this year with his psycho-drama directorial debut Seat in Shadow. It’s a studied and emotional look at artist and muse, a close-up look at alienation, and an uplifting expose of life and love through the prism of gay experience. That’s not to say - [Karaoke Crazies - EIFF 2016](https://forbiddenroom.co.uk/karaoke-crazies-eiff-2016/) - Kim Sang-Chan’s debut feature film Karaoke Crazies is a charmingly off-beat drama about a failing karaoke bar and the band of oddballs who make it their home. First off, Sang-Chan deserves credit for executing a film which boomerangs through tones so fast it will give you whiplash. At one moment the film will have you - [Mr. Pig - EIFF 2016](https://forbiddenroom.co.uk/mr-pig-eiff-2016/) - Danny Glover has been getting too old for this shit since 1987’s Lethal Weapon, but you’ll be glad to hear he’s older than ever and shows no signs of stopping in Diego Luna’s Mr. Pig. Mr. Pig is a road movie first and foremost, a trip down memory lane and a heartfelt meander with an - [Gary Numan Android in La La Land - EIFF 2016](https://forbiddenroom.co.uk/gary-numan-android-in-la-la-land-eiff-2016/) - If you’re a Gary Numan fan then look no further than Steve Read and Rob Alexander’s intimate expose Gary Numan: Android in La La Land. Numan has always been a figure of interest for the public. The synth-pop pioneer pre-dated Kraftwerk, so when he strutted out on stage, his face plastered with white greasepaint, his - [Pandemic - Glasgow FrightFest 2016](https://forbiddenroom.co.uk/pandemic-glasgow-frightfest-2016/) - John Suits’ Pandemic is the latest film to adopt a non-stop first person perspective, something that’s sure to become a trend with the awaited release of action extravaganza Hardcore Henry. Of course, Hardcore Henry isn’t the first film to use the method: first person has appeared in countless found footage films like The Last Exorcism, - [Anguish - Glasgow FrightFest 2016](https://forbiddenroom.co.uk/anguish-glasgow-frightfest-2016/) - Anguish is Sonny Mallhi’s directorial debut and third screenplay after The Roommate and Crush, two films that typify a brand of wishy-washy studio high school horror that seems oddly placed on the CV of the man who produced hits like The Strangers and Shutter. Anguish shows Mallhi’s most purposeful stride into the horror genre with - [Patchwork - Glasgow Frightfest 2016](https://forbiddenroom.co.uk/patchwork-glasgow-frightfest-2016/) - The campest feature at Frightfest 2016, and the only horror comedy on a bill, was Tyler MacIntyre’s Frankenstein update, Patchwork. The film follows three women (Tory Stolper, Maria Blasucci, and Tracey Fairaway) who, after being butchered and sewn into one body, work “together” to take revenge on the mad scientist (Corey Sorensen) responsible for their - [Scream Park DVD](https://forbiddenroom.co.uk/scream-park-dvd/) - Cary Hill’s debut film Scream Park belongs to the outer rings of straight-to-DVD Hell, its cardinal sin? Being dull as dishwater and twice as disposable. True, the film comes from a band of amateurs funded via Kickstarter, but a lack of budget doesn’t quite account for the systemic issues with Hill’s low-key slasher. The film - [The Corpse of Anna Fritz - DbD 2016](https://forbiddenroom.co.uk/the-corpse-of-anna-fritz-dbd-2016/) - Not for the light of heart, Hector Hernandez Vicens’ The Corpse of Anna Fritz was one fo the most uncomfortable horror experiences at Dead by Dawn 2016. Amidst the camp and crazy likes of Der Bunker and Antibirth, Vicens’ debut film proved a horrifying tone-changer on the Edinburgh horror festival line-up, but a bold and - [The Man Who Could Cheat Death - Blu-Ray](https://forbiddenroom.co.uk/the-man-who-could-cheat-death-blu-ray/) - Terrence Fisher was responsible for some of the true classics of the Hammer production company, his Dracula and Frankenstein adaptations spawned sequels that became the meat and bread of Hammer’s output, whilst classics like Hound of the Baskervilles and The Devil Rides Out proved Fisher’s validity as a skilled director. The Man Who Could Cheat - [The Entity - DVD](https://forbiddenroom.co.uk/the-entity-dvd/) - When Eduardo Schultz found footage horror film The Entity starts, you’ll be wondering if this spook-venture is worth even switching on. Can you really watch another hour and twenty minutes of screaming in the dark? Thankfully, the Peruvian feature (not to be confused with the superb 1982 Barbara Hershey film) does have enough interesting ideas - [We Are Still Here - Blu-Ray](https://forbiddenroom.co.uk/we-are-still-here-blu-ray/) - Continuing the contemporary trend of hopelessly unabashed nostalgia, Ted Geoghegen’s We Are Still Here is a love letter to classic 70’s haunted house movies with a superb cast of cult stars. In an attempt to escape the pain of their son’s death, Anne and Paul Sacchetti (Barbara Crampton and Andrew Sensenig) have just moved into - [Stung - Blu-Ray](https://forbiddenroom.co.uk/stung-blu-ray/) - Stung, the debut feature film from Benni Diez and screenwriter Adam Aresty, impressed audiences at this year’s Frightfest and sports one of our favourite posters of 2015. Not surprising when you check out the horde of experienced producers behind the project, people like Todd Brown, Christian Becker, and Nate Bolotin, who collectively orchestrated films like - [V/H/S Viral - Blu-Ray](https://forbiddenroom.co.uk/v-h-s-viral-blu-ray/) - V/H/S: Viral is the third entry to the popular anthology horror series, a series we’ve had an affection for since its inception back in 2012. The first two films showcased a multitude of styles from across the world with consistently inconsistent quality. The third film comes with the star power afforded by the previous involvement - [A Christmas Horror Story - Blu-Ray](https://forbiddenroom.co.uk/a-christmas-horror-story-blu-ray/) - Anthology Horror has slowly crept back into popularity over the past decade, proving itself the best way to sample the best of contemporary horror, A Christmas Horror Story is the latest effort in anthology filmmaking and the ever-growing sub-genre of Christmas horror. A Christmas Horror Story is a lot of fun and ticks all the - [Sinister 2 - Blu-Ray](https://forbiddenroom.co.uk/sinister-2-blu-ray/) - Ciaran Foy’s Sinister 2, the follow up to Scott Derickson and C. Robert Cargill’s supernatural terror tale of 2012, is arguably one of the sequels that garnered the most buzz in 2015. Where the first Sinister was steeped in dangerous supernatural vibes and sported some of the most paranoid filmmaking techniques in a contemporary horror, - [The Gift - Blu-ray](https://forbiddenroom.co.uk/the-gift-blu-ray/) - Joel Edgerton’s directorial debut The Gift is a creeping kind of thriller that takes the awkward buddy comedy to a whole new level. Simon (Jason Bateman) and Robyn (Rebecca Hall) are a young married couple who have just moved into a new house. Gordo (Edgerton) is a school friend of Simon’s, whose sudden appearance throws - [The Last Shift - Blu-Ray](https://forbiddenroom.co.uk/the-last-shift-blu-ray/) - Anthony DiBlasi’s latest offering is the Assault on Precinct 13-inspired Last Shift, a relatively solid excursion into supernatural territory with some great scares up its sleeve and some nice references on its mind. For her first shift, rookie cop Jessica Loren (Juliana Harkavy) spends the night at a decommissioned station. Her job: to keep an - [The Blood Harvest - DVD Review](https://forbiddenroom.co.uk/the-blood-harvest-dvd-review/) - A low budget independent horror film is not necessarily a bad horror film, but George Clarke’s The Blood Harvest is a tiring exercise in scuzzy low-end high-school filmmaking, the kind that isn’t worth your time. The film follows a hardened detective as he desperately tries to solve a recent spate of murders after being kicked - [Clown - DVD Review](https://forbiddenroom.co.uk/clown-dvd-review/) - Jon Watts’ Clown is an exceptional example of how much fun can still be had in the darkest corners of the horror genre without sacrificing a good story. Playing it straight in the realm of clown horror proves a bit of a tone twister, but actually works pretty perfectly in this Eli Roth produced monster - [Kaleidoscope - EIFF 2017](https://forbiddenroom.co.uk/kaleidoscope-eiff-17/) - After a handful of short films and a codirecting credit, Kaleidoscope is the powerhouse solo directing debut from Rupert Jones starring the fantastic Toby Jones (his brother) and a career best turn from veteran talent Anne Reid. Toby Jones has already made a name for himself in the thriller genre. 2012's Berberian Sound Studio dropped him in the maddening world of horror movie sound design. Kaleidoscope is a similarly disorientating slow-burn psycho-thriller with a consummate, though entirely different, approach to splintering mind states. - [Sorgenfri - DbD 2016](https://forbiddenroom.co.uk/sorgenfri-dbd-2016/) - What We Become (also known as Sorgenfri) is the feature debut of Danish writer/director Bo Mikkelsen, a prolific maker of short films for nearly twenty years. The film is touted as the first post-apocalyptic Danish zombie flick and, perhaps surprisingly, the only zombie film on Dead by Dawn’s 2016 bill. Like last year’s Danish entry, - [We Go On - DbD 2016](https://forbiddenroom.co.uk/we-go-on-dbd-2016/) - When it comes to ghost stories, a film can often lose its audience through repetition, showing us things we’ve already seen a hundred times, We Go On is not one of those films. Directors Jesse Holland and Andy Mitton have already made a name for themselves at Dead by Dawn with their intriguing woods-flick YellowBrickRoad - [Antibirth - DbD 2016](https://forbiddenroom.co.uk/antibirth-dbd-2016/) - Danny Perez’s colourful stoner horror Antibirth is the kind of post 9/11 Rosemary’s Baby update a lot of people will really enjoy. With a cast of cult regulars like Natasha Lyonne, Chloe Sevigny, Meg Tilly, and Marc Webber Antibirth is packed with charismatic, dedicated performances that charm from start to finish. Perez’ first film Oddsac - [Der Bunker - DbD 2016](https://forbiddenroom.co.uk/der-bunker-dbd-2016/) - Nikias Chryssos’ Der Bunker is the kind of film Dead by Dawn is made for; a dysfunctional family drama whose more outré parts will make it a hard sell for mainstream audiences. Distributed by Artsploitation, the provocative company behind Bunny the Killer Thing, Der Samurai (also starring Pit Bukowski), and Cub, Der Bunker is as - [Astrea - DbD 2016](https://forbiddenroom.co.uk/astrea-dbd-2016/) - Kristjan Thor’s Astraea is the kind of post-apocalyptic film that will find it hard to stick with an audience. Bravely, though not surprisingly, the film is entirely void of the usual suspects: there are no zombies, robots, critters, aliens, or nuclear freaks to populate the sparse world of Astraea, but that’s ok. In a world - [Green Room - DbD 2016](https://forbiddenroom.co.uk/green-room-dbd-2016/) - The opening film at Edinburgh’s Dead by Dawn festival was Jeremy Saulnier’s Green Room, a Neo-Nazi punk horror thriller and welcome return to the screen after Saulnier’s 2013 thriller Blue Ruin. The film follows a small-time penniless punk band (Anton Yelchin, Callum Turner, Alia Shawkat, Joe Cole) as they travel across the US to perform - [K-Shop - DbD 2016](https://forbiddenroom.co.uk/k-shop-dbd-2016/) - Horror films, like most films, can really benefit from acidic social commentary and Dan Pringle’s K-Shop is one acidic film. The UK’s relationship with booze has always been a problematic one and Pringle turns on the debate with feverish zeal, presenting a bleak glimpse at one town’s struggle with a perilous drinking culture. The story - [Couple in a Hole - GFF 2016](https://forbiddenroom.co.uk/couple-in-a-hole-gff-2016/) - Only Tom Geen’s second feature film (after 2009’s Menteur) Couple in a Hole is a bold and startlingly pained microstudy. The film follows an apparently well-to-do Scottish couple, played by Kate Dickie (The Witch) and Paul Higgins (The Thick of It), live like savages deep in the heart of a forest in Provincial France.The film - [Love and Peace - GFF 2016](https://forbiddenroom.co.uk/love-and-peace-gff-2016/) - Love and Peace is the twenty-ninth feature film from eclectic Japanese writer/director Sion Sono, the man behind cult escapades like Love Exposure, Cold Fish, and Tokyo Tribe. Love and Peace follows gurning wimp Ryoichi (Hiroki Hasegawa), an introverted office worker with dreams of making it as a rock star star, dreams he confesses to his - [Who Am I? - EIFF 2015](https://forbiddenroom.co.uk/who-am-i-eiff-2015/) - Title aside, there’s nothing long-winded about Baran bo Odar’s Who Am I – No System is Safe. From scene to scene Odar wants to entertain, to pull us in and drag us along under the wheels of an impressive and enjoyable cyber-thriller. Benjamin (Tom Schilling) is a nobody with a talent for hacking and magic, - [The Lesson - EIFF 2015](https://forbiddenroom.co.uk/the-lesson-eiff-2015/) - The Lesson, written and directed by Kristina Grozeva and Petar Valchenov, has plenty of things to talk about but never seems to feel that way. The farce of desperation is never really milked to its full black comedy potential keeping the feature firmly grounded in the, sometimes dull, domain of drama. Nadezhda (Margita Gosheva) is - [Dead Rising - EIFF 2015](https://forbiddenroom.co.uk/dead-rising-eiff-2015/) - Considering how saturated the zombie genre is, its difficult to craft an exceptional or even noteworthy entry. Dead Rising: Watchtower, the screen adaptation of the popular Capcom game franchise, has even more pressure since its namesake is a hugely successful part of modern zombie culture, loved by fans worldwide. Maybe that’s why the film really - [Narcopolis - EIFF 2015](https://forbiddenroom.co.uk/narcopolis-eiff-2015/) - Decriminalisation of drugs and what that would lead to: Justin Trefgarne’s Narcopolis is a dystopian take on a hot topic. For a debut feature this sci-fi political thriller is ridiculously ballsy in its choice of subject matter but often favours the thrill of its twisting adventure over deeper consideration of its core questions. There’s still - [The Hallow - EIFF 2015](https://forbiddenroom.co.uk/the-hallow-eiff-2015/) - Corin Hardy’s debut feature The Hallow is a refreshing creature-feature feeding off the folklore of Ireland. The film follows a British conservationist (Joseph Mawle), his wife (Bojana Novakovik), and their infant child who find themselves caught up in a nightmare after moving dangerously close to an ancient forest.Hardy’s story is a family drama torn between - [Maggie - EIFF 2015](https://forbiddenroom.co.uk/maggie-eiff-2015/) - Henry Hobson’s Maggie is a welcome surprise for the zombie genre and Arnold Shwarzenegger fans alike. The debut feature from Hobson, and his scribe John Scott 3, is an intimate portrayal of living with terminal illness, centred around two great performances.There’s none of the usual narrative fixtures you might expect, which could scare off hard-core - [The Cat and the Canary - Blu-Ray Review](https://forbiddenroom.co.uk/the-cat-and-the-canary-blu-ray-review/) - The Cat and The Canary, Elliot Nugent’s 1939 horror, has a lot more comedy in mind than its silent Paul Leni-directed 1927 original or even the stage origins of John Willard’s original play. The laughs come mostly from Bob Hope, who stars in his first leading role as Wally Campbell; a golden-hearted feather-weight with a - [Eat - DVD Review](https://forbiddenroom.co.uk/eat-dvd-review/) - Jimmy Weber clearly has a bone to pick, his directorial debut (also his debut writing credit) Eat is, on many counts, a fearless shameless venture, out to upset the unsuspecting viewer. For a horror fan, it’s a rare thing to find something that genuinely curls your toes, makes your eyes water, and has you shuddering - [Contamination - Blu-Ray Review](https://forbiddenroom.co.uk/contamination-blu-ray-review/) - Banned by the BBFC in 1984 but not prosecuted, Contamination (AKA Alien Contamination AKA Toxic Spawn) is a relatively tame title on the notorious list of 72 censored films. Director Luigi Cozzi, here operating under the name Lewis Coates, is blatantly compacting successful ideas into one Sci-Fi, adventure, horror, mash-up and it just about works.After - [Body - DVD Review](https://forbiddenroom.co.uk/body-dvd-review/) - Body, from Dan Berk and Robert Olsen, is an odd, hilarious, and vaguely worrying film about a group of girls who fake a rape in order to clear themselves of an accidental murder. After the audio of a 911 call, Body zips back to a Christmas-coated suburban home, building a lovable family dynamic out of - [Julia - DVD Review](https://forbiddenroom.co.uk/julia-dvd-review/) - The feature film debut from writer and director Mathew A. Brown, Julia is a Neo-Noir rape-revenge film about a girl who is dragged into a shady form of cult therapy after a brutal trauma. Ashley C. Williams the unfortunate middle section of Dr. Heiter’s Human Centipede, is here granted a far more interesting script than - [Big Game - Blu-Ray Review](https://forbiddenroom.co.uk/big-game-blu-ray-review/) - Jalmari Helander’s Big Game is a kind of spiritual sequel (or prequel) to his 2010 Christmas horror adventure film Rare Exports. Big Game reunites the father/son duo of Helander’s debut for an entirely different kind of action adventure film. Oskari (Omni Tommila) lives with his father Tapio (Jorma Tommila) in a small hunting community in - [Invoked - DVD Review](https://forbiddenroom.co.uk/invoked-dvd-review/) - Humberto Rosa and Thairon Mendes’ found footage horror Invoked is a surprisingly effective . Rosa’s script, co-written by Aaron Gibson, is short and sweet, hits all the bases of a typical haunted house horror, but still packs a punch. Opening with a police investigation into disturbances at an isolated island hostel in Ireland, Rosa sets - [Wyrmwood - DVD Review](https://forbiddenroom.co.uk/wyrmwood-dvd-review/) - Wyrmwood, the stunning debut feature from Kiah Roache-Turner is an impressive foray into the world of schlocky hand-made horror by a group of filmmakers dedicated to the ideals of Indy cinema. And it totally works. Barry (Jay Gallagher) is a loving husband and father, thrown into hell after a meteor shower brings the dead back - [Right Place, Wrong Time: Nostalgia and the House of 1000 Corpses](https://forbiddenroom.co.uk/house-of-a-thousand-corpses/) - Back in 2001, Rob Zombie, global heavy metal star, directed his first feature film, House of 1000 Corpses. Its schlocky exploitation soul was abandoned by producers to the whims of post-production purgatory for three years: shelved because of its freakish nature. Zip forward 17 years and Zombie is a horror icon, an auteur with a wide range of decent titles under his belt. His music - [When Animals Dream - DbD 2015](https://forbiddenroom.co.uk/when-animals-dream-dbd-2015/) - One of the most interesting aspects of being a horror fan is getting to see the continual resurrection of classic monsters. It feels like an offense to call Jonas Alexander Arnby’s When Animals Dream a monster film, but it’s essentially an abstract version of a classic story; fresh and clean, with a great sense of - [The Girl From the Wardrobe - GFF 2014](https://forbiddenroom.co.uk/the-girl-from-the-wardrobe-gff-2014/) - Writer-director Bodo Kox’s debut feature follows the story of three isolated individuals who live on the same floor of a block of flats in a run-down residential area. Jacek (Piotre Glowacki) operates a business from his computer and tries to maintain a normal life whilst taking care of his autistic brother Tomeck (Wojciech Mecwaldowski) who - [Tokyo Tribe - Blu-Ray Review](https://forbiddenroom.co.uk/tokyo-tribe-blu-ray-review/) - You will see nothing like Tokyo Tribe this year. But that’s not surprising considering it’s the long-awaited adaptation of Santa Inoue’s hugely popular manga Tokyo Tribe2, and the latest feature from gifted Japanese director Sion Sono (Love Exposure, Cold Fish). It’s a mind-blowing project: a cast of hundreds, selected from open auditions on YouTube (along - [The ABC's of Death 2 - Blu-Ray Review](https://forbiddenroom.co.uk/the-abcs-of-death-2-blu-ray-review/) - The ABC’s of Death 2 is a far more accomplished and enjoyable anthology horror than its predecessor. My hopes had perhaps been too high for the first instalment, expecting the epic project (26 directors, 26 short films all instigated by a letter of the alphabet) to showcase the future of horror whilst simultaneously saving it. - [Tusk - DbD 2015](https://forbiddenroom.co.uk/tusk-dbd-2015/) - Kevin Smith is one brazen son of a gun. His first foray into horror, Tusk is a tricky sell, too silly to be scary, to nihilistic to be widely enjoyed. But screw it, this isn’t about making flavour of the month, Smith’s latest is bold as far as genre mash-ups go. Tusk mashes rural craziness - [De Poel - DbD 2015](https://forbiddenroom.co.uk/de-poel-dbd-2015/) - Easily one of Dead by Dawn 2015’s stand-out films, De Poel is a finely tuned masterclass in mounting tension. Director Chris W. Mitchell’s debut feature is an impressive piece of work on all counts, engaging Horror’s age-old love affair with woodland terror in a consistently intriguing objectiveness. The story is simple: two families set up - [Cub - DbD 2015](https://forbiddenroom.co.uk/cub-dbd-2015/) - At the screening of Jonas Govaerts’ Cub, Dead by Dawn festival director Adele Hartley voiced her belief that the Belgians are making some of the most fucked up films out there. Cub isn’t exactly an argument against that. Where De Poel took a quietly-mounting thriller route, Cub takes the camping sub-genre on a comparatively bombastic - [Amnesia - DbD 2015](https://forbiddenroom.co.uk/amnesia-dbd-2015/) - Amnesia, the second directing credit from Norwegian filmmaker Nini Bull Robsahm, is a slow but often jolting consideration of domestic abuse. A couple travel to their beautiful remote island getaway for a week of writing and romance. Both are authors, but Kathrine (Pia Tjelta) is perfecting her first novel in the hope she can become - [Musaranas - DbD 2015](https://forbiddenroom.co.uk/musaranas-dbd-2015/) - Winning the audience award for best feature at Dead by Dawn is no small feat. The Edinburgh horror festival has a tight group of in-depth genre fanatics who know their stuff and get exposed to the newest and best once a year. Juanfer Andres and Esteban Roel’s Musaranas (AKA Shrew’s Nest) is a beautiful powerhouse - [Ava's Possessions - DbD 2015](https://forbiddenroom.co.uk/avas-possessions-dbd-2015/) - The exorcism sub-genre has successfully stood its ground time and time again in every mode of the horror genre, so it’s a tough place to make your voice heard. Even then, Jordan Galland’s Ava’s Possessions is an absolute treat, not least because there seems to be a lack of post-exorcism films. Ava (Louisa Krause) is - [A Girl Walks Home Alone at Night- Blu-Ray Review](https://forbiddenroom.co.uk/a-girl-walks-home-alone-at-night-blu-ray-review/) - Ana Lily Amirpour’s A Girl Walks Home Alone at Night is receiving a lot of hype and deservedly so. Vampire films have been, for want of a better word, milked of late, so it takes something really special to garner the kind of love Amirpour’s debut (apparently the world’s first Iranian vampire spaghetti western) has. - [Society - Blu-Ray Review](https://forbiddenroom.co.uk/society-blu-ray-review/) - Brian Yuzna, Stuart Gordon acolyte, producer of From Beyond, Re- Animator (and its sequels), all-round 80’s Indy horror maestro, delivered one of his most startling projects in his directorial debut Society. A cult classic now, Society finds its way into midnight screenings and festival line-ups every year, its continual appeal fed by the immortality of - [Island of Death - Blu-Ray Review](https://forbiddenroom.co.uk/island-of-death-blu-ray-review/) - Island of Death, directed by Nick Mastorakis, is one of the nefarious features censored in the 80’s in conjunction with the Obscene Publications Act of 1959. The 72 banned films known as the Video Nasties, are a kind of variable cinematic gauntlet reserved for the most passionate of horror fans. Though a number of these - [The Strange Colour of Your Bodies Tears - GFF 2014](https://forbiddenroom.co.uk/the-strange-colour-of-your-bodies-tears-gff-2014/) - Following on from their stunning debut feature Amer, Helen Cattet and Bruno Forzani deliver another breath-taking giallo-inspired thriller, pushing the envelope even further in terms of narrative coherency and cinematic beauty. If you’re looking for a straightforward thriller narrative wrapped in giallo style, you won’t find it here. Cattet and Forzani throw narrative coherency to - [Night Flight - EIFF 2014](https://forbiddenroom.co.uk/night-flight-eiff-2014/) - Night Flight is the name of an old abandoned gay bar, once covertly operated in an apartment block. Here two young men meet up periodically to discuss gay life in contemporary Korea. As they stand on the roof, chain smoking under a sunset sky, the ominous sounds of the planes overhead and traffic down below - [Absentia - DVD Review](https://forbiddenroom.co.uk/absentia-dvd-review/) - Considering how well writer/director Mike Flanagan’s summer horror Oculus has done, it was always a matter of time before his debut got fast-tracked to a release date. And thank God it did. Without spoiling too much, it’s a story about missing persons cases, in particular the disappearance of Danny (Morgan Peter Brown) and how his - [The Dance of Reality - GFF 2014](https://forbiddenroom.co.uk/the-dance-of-reality-gff-2014/) - Reviewing a film like Alejandro Jodorowsky’s The Dance of Reality (La Danza de la Realidad) is a tricky thing. Rarely do films achieve such a level of mind-boggling skill, flaunting an incredible fusion of art and entertainment like nothing you’ve ever seen. The legendary director’s first film in 23 years is an account of his - [Honeymoon - EIFF 2014](https://forbiddenroom.co.uk/honeymoon-eiff-2014/) - For the most part, Leigh Janiak’s debut feature is a romantic melodrama in which its newlywed couple grapple with the overwhelming concept of what marriage really is. It’s not long before things begin to go wrong; thin slivers of doubt creep in and the whole film’s central relationship seems hopelessly stranded on the shores of - [Killer Legends - Dead by Dawn 2014](https://forbiddenroom.co.uk/killer-legends-dbd-2014/) - In 2010 Joshua Zeman’s Cropsey investigated the point where folklore and real life merge. Killer Legends builds on Zeman’s fascination with the true-crime origins of urban legends, exploring how such tales are manufactured and perpetuated. From the start it’s a far more accomplished piece of investigatory work than Cropsey, the scope and depth of analysis - [Oculus - Dead By Dawn 2014](https://forbiddenroom.co.uk/oculus-dead-by-dawn-2014/) - If you’re a horror fan, chances are you’ve come to peace with the fact your viewing career will be a long and arduous journey punctuated with few notable ventures. Luckily, films like Mike Flanagan’s Oculus pop up every now and again to seed new hope in the mainstream genre. Discontent to simply jam two doomed - [Chocolate, Strawberry, Vanilla - DBD 2014](https://forbiddenroom.co.uk/chocolate-strawberry-vanilla-dbd-2014/) - Stuart Simpson’s Chocolate Strawberry Vanilla is a strange but welcome kind of cathartic character study. Warren (Glenn Maynard) is an ice cream man, he lives alone with his cat and tunes in daily to his favourite soap opera. However, after an awful accident, Warren’s life begins to spiral out of control: he becomes dangerously obsessed - [13 Sins - Dead By Dawn 2014](https://forbiddenroom.co.uk/13-sins-dead-by-dawn-2014/) - Daniel Stamm’s 13 Sins, a remake of Thai film 13: Game of Death, is the disturbing tale of one man’s descent into crime and degradation. After receiving a mysterious phone call, debt-ridden Elliot Brindle (Marc Webber) is set on a path to riches, all he has to do is complete a bizarre series of tasks. - [Joe - EIFF 2014](https://forbiddenroom.co.uk/joe-eiff-2014/) - Arguably the most impressive proof of a director’s versatility at this year’s Edinburgh International Film Festival, Joe is the latest offering from David Gordon Green. It’s a striking kind of American film, miles away from the dark Gothic Americana of Jim Mickle’s Cold in July but still very much a Deep South film of dusk - [Aberdeen - EIFF 2014](https://forbiddenroom.co.uk/aberdeen-eiff-2014/) - Though Pang Ho-cheung’s Aberdeen is very much a Chinese film about Hong Kong, it refuses to alienate its audience by making its focus specific issues of Chinese life. Aberdeen is essentially a film about relationships in the contemporary world told through the parallel and intertwining lives of the people in one family. On each level - [Welcome to New York - EIFF 2014](https://forbiddenroom.co.uk/welcome-to-new-york-eiff-2014/) - Abel Ferrara has always been interested in contemporary American society, particularly the class divide of New York and the legitimacy of the so-called upper classes. His latest film Welcome to New York is a bold look at high-class low-life. First things first, Depardieu is incredible. Here the actor gives a truly mesmerising, terrifying performance as - [Cold in July - EIFF 2014](https://forbiddenroom.co.uk/cold-in-july-eiff-2014/) - Jim Mickle is fast proving himself to be a director of particular vision and consistent quality: 2010’s Stakeland and last year’s We Are What We Are both flaunt a gorgeous unity of content and tone. This perfect southern Gothic vibe leaks through into his new feature Cold in July.The first third is almost a horror - [Ai Weiwei: The Fake Case - EIFF 2014](https://forbiddenroom.co.uk/ai-weiwei-the-fake-case-eiff-2014/) - Last year I was lucky enough to catch the tale-end of a Toronto exhibit of Ai Weiwei’s work. It was the first time I’d laid eyes on the renowned Chinese artist’s stuff but even then you can see the acidic commentary on the Chinese government clean off the bat. Andreas Johnsen’s insightful documentary proves an - [In Order of Disappearance - EIFF 2014](https://forbiddenroom.co.uk/in-order-of-disappearance-eiff-2014/) - Hans Petter Moland’s In Order of Disappearance is as slick and indifferent as the cold environment it occurs in. Originally titled ‘The Prize Idiot’, the film follows Nils Dickman (Stellan Skarsgard), a quiet dedicated snow-plough who becomes a furious force of vengeance when his son is murdered by a drug cartel. Here, is a fully - [Bad Kids Go to Hell - DVD Review](https://forbiddenroom.co.uk/bad-kids-go-to-hell-dvd-review/) - Haunting of Crestview High actually takes the biscuit when it comes to lazy horror comedy. Riffing on The Breakfast Club with some seriously misguided “postmodern elements”, the film is clearly trying to be a nihilistic update of the classic 80’s sit-com, but doesn’t stop for a second to ponder whether that’s a worthwhile concept. Imagine - [Killers - Glasgow FrightFest 2014](https://forbiddenroom.co.uk/killers-glasgow-frightfest-2014/) - The final, and arguably best, feature and Glasgow’s Frightfest 2014 was Killers, the latest project from the so-called Mo Brothers, Timo Tjahjanto and Kimo Stamboel. The Indonesian writer-directors have already introduced their dark vision to western audiences via their entries into recent anthologies. Tjahjanto directed the most gruelling entry to The ABC’s of Death in - [Mindscape - Glasgow FrightFest 2014](https://forbiddenroom.co.uk/mindscape-glasgow-frightfest-2014/) - The problem with Jorge Dorado’s debut feature Mindscape is that in the three years since Nolan’s Inception, a whole slew of lesser imitators have unfortunately avalanched over any possibility of this film being considered as any kind of unique take on the memory/dream infiltration sub-genre. Which is a shame because his first is an accomplished - [Savaged - Glasgow FrightFest 2014](https://forbiddenroom.co.uk/savaged-glasgow-frightfest-2014/) - The opening feature at Glasgow Frightfest 2014 was arguably one of the best choices in programming over the entire weekend. Savaged, written and directed by Michael S. Ojeda, is a brutal revenge slasher hovering somewhere between I Spit on Your Grave and Evil Dead. Basically the story follows what happens to Zoe (Amanda Adrienne), a - [Video Nasties: Draconian Days - Glasgow FrightFest 2014](https://forbiddenroom.co.uk/video-nasties-draconian-days-glasgow-frightfest-2014/) - For those of us left unsated by the critically acclaimed Video Nasties: Moral Panic, Censorship, & Videotape, director Jake West and producer Marc Morris return for a second instalment of the revealing documentary. This time the duo tackle everything that came after the 1984 Video recordings Act, filling in the blanks on how the horror - [Wolf Creek 2 - Glasgow FrightFest 2014](https://forbiddenroom.co.uk/wolf-creek-2-glasgow-frightfest-2014/) - When it comes to horror sequels, something tends to get lost in translation; the follow up will rarely do more than enact round 2 of what the first one had to offer, upping the gore and shifting the set-pieces. The films that survive seem to be the ones that throw their eggs in the proverbial - [Everyone's Going to Die - EIFF 2013](https://forbiddenroom.co.uk/everyones-going-to-die-eiff-2013/) - Melanie (Nora Tschirner) is a young woman living out a dull existence in an English seaside town, her life crawls along until she meets Ray (Rob Knighton in his second feature performance), a recently divorced gangster-type back in town for one last job. Without a doubt the most charming and impressive feature to debut at - [The Conjuring - EIFF 2013](https://forbiddenroom.co.uk/the-conjuring-eiff-2013/) - James Wan, member of the “Splat-pack”, writer/director of Saw, cult purveyor, herald of the dingy urban horror, a new talent that’s spent the past decade bolstering his CV with some really wonderful films aimed at the sort of people who enjoyed the same late night Hammer marathons as he did in his youth, has a - [Frankenstein's Army - EIFF 2013](https://forbiddenroom.co.uk/frankensteins-army-eiff-2013/) - Over the past few years there’s been a real peak in the impact of fan-boy fantasy on cinema, especially horror. We’ve seen some truly nutty visions being realised on the big screen and, for better or worse, that trend shows no signs of stopping. The recent sub-genre of Nazi zombie films is creatively tackled in - [For Those in Peril - EIFF 2013](https://forbiddenroom.co.uk/for-those-in-peril-eiff-2013/) - British cinema is great at taking quaint environments and turning them into Hell. We also have a penchant for misery and wasted lives, both of which you’ll find abundantly in Paul Wright’s impressive feature debut For Those in Peril, a keyhole into the social mechanics of a small fishing community in Scotland. After a tragic - [Leviathan - EIFF 2013](https://forbiddenroom.co.uk/leviathan-eiff-2013/) - One of the most intriguing films of this year’s Edinburgh International Film Festival is the experimental documentary piece Leviathan; an abstract look at the relationship between man and nature. It won’t be for everyone, in fact it will probably appeal to a smaller part of the audience who have the patience to endure its 87 - [Headshot - GFF 2017](https://forbiddenroom.co.uk/headshot-gff-2017/) - Headshot, the latest film from Indonesian exports Timo Tjanto and Kimo Stamboel, is a rip-roaring action extravaganza and the true culmination of the directors' passion for farce, black comedy, and action. Surprisingly the so-called Mo Brothers have remained relatively low-key, even though Headshot marks their third feature film. In their native Indonesia the directors don't fare much better, with most of their flicks never seeing the light of a cinematic release. It may prove the price - [Age of Shadows - GFF 2017](https://forbiddenroom.co.uk/age-of-shadows-gff-2017/) - Korean director Kim Jee-Woon made a name for himself in horror, with films like A Tale of Two Sisters and gruelling serial killer thriller I Saw the Devil. From there he's made outlandish Western The Good, the Bad, and The Weird, not to mention reintroduced Schwarzenegger in US mad action caper The Last Stand. Age of Shadows is his latest film and follows the exploits of Korean rebels seeking to overthrow Japanese invaders during the 1920's After an exhilarating opening the film launches straight into an exhilarating, freight train of espionage. Train - [The Demons - GFF 2017](https://forbiddenroom.co.uk/the-demons-gff-2017/) - French Canadian film The Demons, from director Philippe Lesage, peaks behind the curtain of suburban civility for a slow but powerful discussion on childhood, sexuality, and social relationships. In it, an adolescent boy named Felix begins to encounter the adult world in subtle, but dramatic ways. Lesage is clearly an inquisitive and open-minded documentarian whose curiosity allows him to pry the deepest most private parts of life without seemingly rabidly intrusive. 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[Hazel Court](https://forbiddenroom.co.uk/tag/hazel-court/) - [Eduardo Schultz](https://forbiddenroom.co.uk/tag/eduardo-schultz/) - [Rodrigo Falla](https://forbiddenroom.co.uk/tag/rodrigo-falla/) - [Daniella Mendoza](https://forbiddenroom.co.uk/tag/daniella-mendoza/) - [Carlos Casella](https://forbiddenroom.co.uk/tag/carlos-casella/) - [Mario Gaviria](https://forbiddenroom.co.uk/tag/mario-gaviria/) - [Internet Horror](https://forbiddenroom.co.uk/tag/internet-horror/) - [We Are Still Here](https://forbiddenroom.co.uk/tag/we-are-still-here/) - [Barbara Crampton](https://forbiddenroom.co.uk/tag/barbara-crampton/) - [Andrew Sensenig](https://forbiddenroom.co.uk/tag/andrew-sensenig/) - [Lisa Marie](https://forbiddenroom.co.uk/tag/lisa-marie/) - [Monty Markham](https://forbiddenroom.co.uk/tag/monty-markham/) - [Ted Geoghegen](https://forbiddenroom.co.uk/tag/ted-geoghegen/) - [Retro](https://forbiddenroom.co.uk/tag/retro/) - [Giant Insect](https://forbiddenroom.co.uk/tag/giant-insect/) - [Wasps](https://forbiddenroom.co.uk/tag/wasps/) - [Benni Diez](https://forbiddenroom.co.uk/tag/benni-diez/) - [Matt O’Leary](https://forbiddenroom.co.uk/tag/matt-oleary/) - [Jessica Cook](https://forbiddenroom.co.uk/tag/jessica-cook/) - [Clifton Collins Jr.](https://forbiddenroom.co.uk/tag/clifton-collins-jr/) - [Lance Henriksen](https://forbiddenroom.co.uk/tag/lance-henriksen/) - [Creature Feature](https://forbiddenroom.co.uk/tag/creature-feature/) - [Mutation](https://forbiddenroom.co.uk/tag/mutation/) - [Skeleton](https://forbiddenroom.co.uk/tag/skeleton/) - [Marcel Sarmiento](https://forbiddenroom.co.uk/tag/marcel-sarmiento/) - [Gregg Bishop](https://forbiddenroom.co.uk/tag/gregg-bishop/) - [Nacho Vigalondo](https://forbiddenroom.co.uk/tag/nacho-vigalondo/) - [Justin Benson](https://forbiddenroom.co.uk/tag/justin-benson/) - [Aaron Moorhead](https://forbiddenroom.co.uk/tag/aaron-moorhead/) - [Patrick Lawrie](https://forbiddenroom.co.uk/tag/patrick-lawrie/) - [Emilia Ares Zoryan](https://forbiddenroom.co.uk/tag/emilia-ares-zoryan/) - 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Stars: Juliana Harkavy](https://forbiddenroom.co.uk/tag/anthony-diblasi
stars-juliana-harkavy/) - [Joshua Mikel](https://forbiddenroom.co.uk/tag/joshua-mikel/) - [J. LaRose](https://forbiddenroom.co.uk/tag/j-larose/) - [Sarah Sculco](https://forbiddenroom.co.uk/tag/sarah-sculco/) - [Randy Molnar](https://forbiddenroom.co.uk/tag/randy-molnar/) - [Kathryn Kilger](https://forbiddenroom.co.uk/tag/kathryn-kilger/) - [The Last Shift](https://forbiddenroom.co.uk/tag/the-last-shift/) - [George Clarke](https://forbiddenroom.co.uk/tag/george-clarke/) - [Alan Crawford](https://forbiddenroom.co.uk/tag/alan-crawford/) - [Rachael Galloway](https://forbiddenroom.co.uk/tag/rachael-galloway/) - [Griffin Madil](https://forbiddenroom.co.uk/tag/griffin-madil/) - [The Blood Harvest](https://forbiddenroom.co.uk/tag/the-blood-harvest/) - [The Gift](https://forbiddenroom.co.uk/tag/the-gift/) - [2016](https://forbiddenroom.co.uk/tag/2016/) - [Livid](https://forbiddenroom.co.uk/tag/livid/) - [Break In](https://forbiddenroom.co.uk/tag/break-in/) - [Gothic](https://forbiddenroom.co.uk/tag/gothic/) - [Alexandre Bustillo](https://forbiddenroom.co.uk/tag/alexandre-bustillo/) - [Julien Maury](https://forbiddenroom.co.uk/tag/julien-maury/) - [2011](https://forbiddenroom.co.uk/tag/2011/) - [The Fields](https://forbiddenroom.co.uk/tag/the-fields/) - [Harrison B. Smith](https://forbiddenroom.co.uk/tag/harrison-b-smith/) - [Bev Appleton](https://forbiddenroom.co.uk/tag/bev-appleton/) - [Cloris Leachman](https://forbiddenroom.co.uk/tag/cloris-leachman/) - [Farm](https://forbiddenroom.co.uk/tag/farm/) - [Tara Reid](https://forbiddenroom.co.uk/tag/tara-reid/) - [Tom Mattera](https://forbiddenroom.co.uk/tag/tom-mattera/) - [David Mazzoni](https://forbiddenroom.co.uk/tag/david-mazzoni/) - [Joshua Ormond](https://forbiddenroom.co.uk/tag/joshua-ormond/) - [The Lost Coast Tapes](https://forbiddenroom.co.uk/tag/the-lost-coast-tapes/) - [Handheld](https://forbiddenroom.co.uk/tag/handheld/) - [Bigfoot](https://forbiddenroom.co.uk/tag/bigfoot/) - [Corey Grant](https://forbiddenroom.co.uk/tag/corey-grant/) - [Drew Rausch](https://forbiddenroom.co.uk/tag/drew-rausch/) - [Rich McDonald](https://forbiddenroom.co.uk/tag/rich-mcdonald/) - [Ashley Wood](https://forbiddenroom.co.uk/tag/ashley-wood/) - [Noah Weisberg](https://forbiddenroom.co.uk/tag/noah-weisberg/) - [Frank Ashmore](https://forbiddenroom.co.uk/tag/frank-ashmore/) - [The Hexecutioners](https://forbiddenroom.co.uk/tag/the-hexecutioners/) - [Jesse Thomas Cooke](https://forbiddenroom.co.uk/tag/jesse-thomas-cooke/) - [Liv Collins](https://forbiddenroom.co.uk/tag/liv-collins/) - [Sarah Power](https://forbiddenroom.co.uk/tag/sarah-power/) - [Tim Burd](https://forbiddenroom.co.uk/tag/tim-burd/) - [Walter Borden](https://forbiddenroom.co.uk/tag/walter-borden/) - [Boyd Banks](https://forbiddenroom.co.uk/tag/boyd-banks/) - [Scream Park](https://forbiddenroom.co.uk/tag/scream-park/) - [Theme Park](https://forbiddenroom.co.uk/tag/theme-park/) - [Cary Hill](https://forbiddenroom.co.uk/tag/cary-hill/) - [Wendy Wygant](https://forbiddenroom.co.uk/tag/wendy-wygant/) - [Steve Rudzinski](https://forbiddenroom.co.uk/tag/steve-rudzinski/) - [Kevin Ogilvie](https://forbiddenroom.co.uk/tag/kevin-ogilvie/) - [Doug Bradley](https://forbiddenroom.co.uk/tag/doug-bradley/) - [Mr. Pig](https://forbiddenroom.co.uk/tag/mr-pig/) - [EIFF 2016](https://forbiddenroom.co.uk/tag/eiff-2016/) - [Diego Luna](https://forbiddenroom.co.uk/tag/diego-luna/) - [Danny Glover](https://forbiddenroom.co.uk/tag/danny-glover/) - [Maya Rudolph](https://forbiddenroom.co.uk/tag/maya-rudolph/) - [Gary Numan](https://forbiddenroom.co.uk/tag/gary-numan/) - [Music](https://forbiddenroom.co.uk/tag/music/) - [Steve Read](https://forbiddenroom.co.uk/tag/steve-read/) - [Rob Alexander](https://forbiddenroom.co.uk/tag/rob-alexander/) - [Pandemic](https://forbiddenroom.co.uk/tag/pandemic/) - [Glasgow FrightFest 2016](https://forbiddenroom.co.uk/tag/glasgow-frightfest-2016/) - [FrightFest](https://forbiddenroom.co.uk/tag/frightfest/) - [John Suits](https://forbiddenroom.co.uk/tag/john-suits/) - [Rachael Nichols](https://forbiddenroom.co.uk/tag/rachael-nichols/) - [Missi Pyle](https://forbiddenroom.co.uk/tag/missi-pyle/) - [Alfie Allen](https://forbiddenroom.co.uk/tag/alfie-allen/) - [Makhi Phifer](https://forbiddenroom.co.uk/tag/makhi-phifer/) - [Joe Begos](https://forbiddenroom.co.uk/tag/joe-begos/) - [Graham Skipper](https://forbiddenroom.co.uk/tag/graham-skipper/) - [Lauren Ashley Carter](https://forbiddenroom.co.uk/tag/lauren-ashley-carter/) - [John Speredakos](https://forbiddenroom.co.uk/tag/john-speredakos/) - [The Mind’s Eye](https://forbiddenroom.co.uk/tag/the-minds-eye/) - [Patchwork](https://forbiddenroom.co.uk/tag/patchwork/) - [Tyler MacIntyre](https://forbiddenroom.co.uk/tag/tyler-macintyre/) - [Tory Stolper](https://forbiddenroom.co.uk/tag/tory-stolper/) - [Maria Blasucci](https://forbiddenroom.co.uk/tag/maria-blasucci/) - [and Tracey Fairaway](https://forbiddenroom.co.uk/tag/and-tracey-fairaway/) - [James Phelps](https://forbiddenroom.co.uk/tag/james-phelps/) - [Corey Sorensen](https://forbiddenroom.co.uk/tag/corey-sorensen/) - [Southbound](https://forbiddenroom.co.uk/tag/southbound/) - [Chad Villella](https://forbiddenroom.co.uk/tag/chad-villella/) - [Matt Bettinelli-Olpin](https://forbiddenroom.co.uk/tag/matt-bettinelli-olpin/) - [Dana Gould](https://forbiddenroom.co.uk/tag/dana-gould/) - [Anessa Ramsey](https://forbiddenroom.co.uk/tag/anessa-ramsey/) - [Davey Johnson](https://forbiddenroom.co.uk/tag/davey-johnson/) - [Roxanne Benjamin](https://forbiddenroom.co.uk/tag/roxanne-benjamin/) - [Radio Silence](https://forbiddenroom.co.uk/tag/radio-silence/) - [Patrick Horvath](https://forbiddenroom.co.uk/tag/patrick-horvath/) - [David Bruckner](https://forbiddenroom.co.uk/tag/david-bruckner/) - [Anguish](https://forbiddenroom.co.uk/tag/anguish/) - [Possession](https://forbiddenroom.co.uk/tag/possession/) - [Sonny Mallhi](https://forbiddenroom.co.uk/tag/sonny-mallhi/) - [Ryan Simpkins](https://forbiddenroom.co.uk/tag/ryan-simpkins/) - [Annika Marks](https://forbiddenroom.co.uk/tag/annika-marks/) - [Karina Logue](https://forbiddenroom.co.uk/tag/karina-logue/) - [Karaokie Crazies](https://forbiddenroom.co.uk/tag/karaokie-crazies/) - [Kim Sang-Chan](https://forbiddenroom.co.uk/tag/kim-sang-chan/) - [Bang Jun-Ho](https://forbiddenroom.co.uk/tag/bang-jun-ho/) - [Moon-Sik Lee](https://forbiddenroom.co.uk/tag/moon-sik-lee/) - [Kim Na-Mi](https://forbiddenroom.co.uk/tag/kim-na-mi/) - [Bae So-eun](https://forbiddenroom.co.uk/tag/bae-so-eun/) - [South Korean](https://forbiddenroom.co.uk/tag/south-korean/) - [Seat in Shadow](https://forbiddenroom.co.uk/tag/seat-in-shadow/) - [Psychotherapy](https://forbiddenroom.co.uk/tag/psychotherapy/) - [Avant-Guard](https://forbiddenroom.co.uk/tag/avant-guard/) - [Experimental](https://forbiddenroom.co.uk/tag/experimental/) - [Intense](https://forbiddenroom.co.uk/tag/intense/) - [Henry Coombs](https://forbiddenroom.co.uk/tag/henry-coombs/) - [Jonathan Leslie](https://forbiddenroom.co.uk/tag/jonathan-leslie/) - [David Sillars](https://forbiddenroom.co.uk/tag/david-sillars/) - [Marcella McIntosh](https://forbiddenroom.co.uk/tag/marcella-mcintosh/) - [Yoga Hosers](https://forbiddenroom.co.uk/tag/yoga-hosers/) - [Camp](https://forbiddenroom.co.uk/tag/camp/) - [B-Movie](https://forbiddenroom.co.uk/tag/b-movie/) - [Lily Rose-Depp](https://forbiddenroom.co.uk/tag/lily-rose-depp/) - [Harley Quinn Smith](https://forbiddenroom.co.uk/tag/harley-quinn-smith/) - [Johnny Depp](https://forbiddenroom.co.uk/tag/johnny-depp/) - [Anna Biller](https://forbiddenroom.co.uk/tag/anna-biller/) - [The Love Witch](https://forbiddenroom.co.uk/tag/the-love-witch/) - [Samantha Robinson](https://forbiddenroom.co.uk/tag/samantha-robinson/) - [Jeffrey Vincent Parise](https://forbiddenroom.co.uk/tag/jeffrey-vincent-parise/) - [Stephen Wozniak](https://forbiddenroom.co.uk/tag/stephen-wozniak/) - [Gian Keys](https://forbiddenroom.co.uk/tag/gian-keys/) - [Laura Waddell](https://forbiddenroom.co.uk/tag/laura-waddell/) - [Melodrama](https://forbiddenroom.co.uk/tag/melodrama/) - [Occult](https://forbiddenroom.co.uk/tag/occult/) - [Witch](https://forbiddenroom.co.uk/tag/witch/) - [Mermaid](https://forbiddenroom.co.uk/tag/mermaid/) - [Siren](https://forbiddenroom.co.uk/tag/siren/) - [Disco](https://forbiddenroom.co.uk/tag/disco/) - [Marta Mazurek](https://forbiddenroom.co.uk/tag/marta-mazurek/) - [Michalina Olszanska](https://forbiddenroom.co.uk/tag/michalina-olszanska/) - [Kinga Preis](https://forbiddenroom.co.uk/tag/kinga-preis/) - [Jakub Gierszal](https://forbiddenroom.co.uk/tag/jakub-gierszal/) - [Agnieszka Smoczynska](https://forbiddenroom.co.uk/tag/agnieszka-smoczynska/) - [Seasonal](https://forbiddenroom.co.uk/tag/seasonal/) - [Easter](https://forbiddenroom.co.uk/tag/easter/) - [Seth Green](https://forbiddenroom.co.uk/tag/seth-green/) - [Lorenza Izzo](https://forbiddenroom.co.uk/tag/lorenza-izzo/) - [Ruth Bradley](https://forbiddenroom.co.uk/tag/ruth-bradley/) - [Michael Gross](https://forbiddenroom.co.uk/tag/michael-gross/) - [Andrew Bowen](https://forbiddenroom.co.uk/tag/andrew-bowen/) - [Adaptation](https://forbiddenroom.co.uk/tag/adaptation/) - [The Man Who Was Thursday](https://forbiddenroom.co.uk/tag/the-man-who-was-thursday/) - [Balazs Juszt](https://forbiddenroom.co.uk/tag/balazs-juszt/) - [Francois Arnaud](https://forbiddenroom.co.uk/tag/francois-arnaud/) - [Ana Ularu](https://forbiddenroom.co.uk/tag/ana-ularu/) - [Mark Ivanir](https://forbiddenroom.co.uk/tag/mark-ivanir/) - [Jordon Molla](https://forbiddenroom.co.uk/tag/jordon-molla/) - [Vatican](https://forbiddenroom.co.uk/tag/vatican/) - [Time Travel](https://forbiddenroom.co.uk/tag/time-travel/) - [New Born](https://forbiddenroom.co.uk/tag/new-born/) - [Nirpal Bhogal](https://forbiddenroom.co.uk/tag/nirpal-bhogal/) - [Antonia Thomas](https://forbiddenroom.co.uk/tag/antonia-thomas/) - [Luke Norris](https://forbiddenroom.co.uk/tag/luke-norris/) - [Eileen Davies](https://forbiddenroom.co.uk/tag/eileen-davies/) - [Jonathan Hyde](https://forbiddenroom.co.uk/tag/jonathan-hyde/) - [Ryu Seung-ryong](https://forbiddenroom.co.uk/tag/ryu-seung-ryong/) - [Shim Eun-kyung](https://forbiddenroom.co.uk/tag/shim-eun-kyung/) - [Lee Joon](https://forbiddenroom.co.uk/tag/lee-joon/) - [Macbeth Unhinged](https://forbiddenroom.co.uk/tag/macbeth-unhinged/) - [Shakespeare](https://forbiddenroom.co.uk/tag/shakespeare/) - [Urban](https://forbiddenroom.co.uk/tag/urban/) - [Angus Macfayden](https://forbiddenroom.co.uk/tag/angus-macfayden/) - [Taylor Roberts](https://forbiddenroom.co.uk/tag/taylor-roberts/) - [Kevin McNally](https://forbiddenroom.co.uk/tag/kevin-mcnally/) - [Harry Lennix](https://forbiddenroom.co.uk/tag/harry-lennix/) - [Seth Numrich](https://forbiddenroom.co.uk/tag/seth-numrich/) - [Taika Waititi](https://forbiddenroom.co.uk/tag/taika-waititi/) - [Sam Neill](https://forbiddenroom.co.uk/tag/sam-neill/) - [Julian Dennison](https://forbiddenroom.co.uk/tag/julian-dennison/) - [Rima Te Waita](https://forbiddenroom.co.uk/tag/rima-te-waita/) - [New Zealand](https://forbiddenroom.co.uk/tag/new-zealand/) - [Matka](https://forbiddenroom.co.uk/tag/matka/) - [Mother](https://forbiddenroom.co.uk/tag/mother/) - [Kadri Kousaar](https://forbiddenroom.co.uk/tag/kadri-kousaar/) - [Tiina Malberg](https://forbiddenroom.co.uk/tag/tiina-malberg/) - [Jaan Pehk](https://forbiddenroom.co.uk/tag/jaan-pehk/) - [Jaak Prints](https://forbiddenroom.co.uk/tag/jaak-prints/) - [Rea Lest](https://forbiddenroom.co.uk/tag/rea-lest/) - [Ema](https://forbiddenroom.co.uk/tag/ema/) - [Farce](https://forbiddenroom.co.uk/tag/farce/) - [Argentina](https://forbiddenroom.co.uk/tag/argentina/) - [Heist](https://forbiddenroom.co.uk/tag/heist/) - [Daniel Calparsoro](https://forbiddenroom.co.uk/tag/daniel-calparsoro/) - [Rodrigo De la Serna](https://forbiddenroom.co.uk/tag/rodrigo-de-la-serna/) - [Raul Arevalo](https://forbiddenroom.co.uk/tag/raul-arevalo/) - [Jose Coronado](https://forbiddenroom.co.uk/tag/jose-coronado/) - [Marian Alvarez](https://forbiddenroom.co.uk/tag/marian-alvarez/) - [Ann Marivin](https://forbiddenroom.co.uk/tag/ann-marivin/) - [Francis Renaud](https://forbiddenroom.co.uk/tag/francis-renaud/) - [Theo Fernandez](https://forbiddenroom.co.uk/tag/theo-fernandez/) - [Zacharie Chasseriaud](https://forbiddenroom.co.uk/tag/zacharie-chasseriaud/) - [Fabien Jegoudez](https://forbiddenroom.co.uk/tag/fabien-jegoudez/) - [Beatrice Dalle](https://forbiddenroom.co.uk/tag/beatrice-dalle/) - [Baskin](https://forbiddenroom.co.uk/tag/baskin/) - [Extreme](https://forbiddenroom.co.uk/tag/extreme/) - [Hell](https://forbiddenroom.co.uk/tag/hell/) - [Turkey](https://forbiddenroom.co.uk/tag/turkey/) - [Can Evrenol](https://forbiddenroom.co.uk/tag/can-evrenol/) - [Muharrem Bayrak](https://forbiddenroom.co.uk/tag/muharrem-bayrak/) - [Gorkem Kasal](https://forbiddenroom.co.uk/tag/gorkem-kasal/) - [Mehmet Cerrahoglu](https://forbiddenroom.co.uk/tag/mehmet-cerrahoglu/) - [Fantasy](https://forbiddenroom.co.uk/tag/fantasy/) - [Nightmare](https://forbiddenroom.co.uk/tag/nightmare/) - [Disaster Film](https://forbiddenroom.co.uk/tag/disaster-film/) - [Tidal Wave](https://forbiddenroom.co.uk/tag/tidal-wave/) - [Roar Uthaug](https://forbiddenroom.co.uk/tag/roar-uthaug/) - [Kristoffer Joner](https://forbiddenroom.co.uk/tag/kristoffer-joner/) - [Ane Dahl Torp](https://forbiddenroom.co.uk/tag/ane-dahl-torp/) - [Thomas Bo Larsen](https://forbiddenroom.co.uk/tag/thomas-bo-larsen/) - [Jonas Hoff Oftebro](https://forbiddenroom.co.uk/tag/jonas-hoff-oftebro/) - [Mystery](https://forbiddenroom.co.uk/tag/mystery/) - [Crime](https://forbiddenroom.co.uk/tag/crime/) - [Sang-il Lee](https://forbiddenroom.co.uk/tag/sang-il-lee/) - [Ken Watanabe](https://forbiddenroom.co.uk/tag/ken-watanabe/) - [Mirai Moriyama](https://forbiddenroom.co.uk/tag/mirai-moriyama/) - [Kenichi Matsuyama](https://forbiddenroom.co.uk/tag/kenichi-matsuyama/) - [Go Ayano](https://forbiddenroom.co.uk/tag/go-ayano/) - [Snow Woman](https://forbiddenroom.co.uk/tag/snow-woman/) - [Folk](https://forbiddenroom.co.uk/tag/folk/) - [Kiki Sugino](https://forbiddenroom.co.uk/tag/kiki-sugino/) - [Munetaka Aoki](https://forbiddenroom.co.uk/tag/munetaka-aoki/) - [Kumi Mizuno](https://forbiddenroom.co.uk/tag/kumi-mizuno/) - [Wedding](https://forbiddenroom.co.uk/tag/wedding/) - [Chainsaw](https://forbiddenroom.co.uk/tag/chainsaw/) - [[Rec]](https://forbiddenroom.co.uk/tag/rec/) - [Rec Genesis](https://forbiddenroom.co.uk/tag/rec-genesis/) - [Paco Plaza](https://forbiddenroom.co.uk/tag/paco-plaza/) - [Leticia Dolera](https://forbiddenroom.co.uk/tag/leticia-dolera/) - [Diego Martin](https://forbiddenroom.co.uk/tag/diego-martin/) - [Alex Monne](https://forbiddenroom.co.uk/tag/alex-monne/) - [Paranormal](https://forbiddenroom.co.uk/tag/paranormal/) - [Mitchell Altieri & Phil Flores](https://forbiddenroom.co.uk/tag/mitchell-altieri-phil-flores/) - [Cory Knauf](https://forbiddenroom.co.uk/tag/cory-knauf/) - [Samuel Child](https://forbiddenroom.co.uk/tag/samuel-child/) - [Mackenzie Firgins](https://forbiddenroom.co.uk/tag/mackenzie-firgins/) - [Joseph McKelheer](https://forbiddenroom.co.uk/tag/joseph-mckelheer/) - [Sean Cronin](https://forbiddenroom.co.uk/tag/sean-cronin/) - [Vampires](https://forbiddenroom.co.uk/tag/vampires/) - [Carles Torrens](https://forbiddenroom.co.uk/tag/carles-torrens/) - [Rodrigo Cortes](https://forbiddenroom.co.uk/tag/rodrigo-cortes/) - [Kai Lennox](https://forbiddenroom.co.uk/tag/kai-lennox/) - [Gia Mantegna](https://forbiddenroom.co.uk/tag/gia-mantegna/) - [Michael O'Keefe](https://forbiddenroom.co.uk/tag/michael-okeefe/) - [Fiona Glascott](https://forbiddenroom.co.uk/tag/fiona-glascott/) - [Scott Derickson](https://forbiddenroom.co.uk/tag/scott-derickson/) - [Ethan Hawke](https://forbiddenroom.co.uk/tag/ethan-hawke/) - [Juliet Rylance](https://forbiddenroom.co.uk/tag/juliet-rylance/) - [Fred Dalton Thompson](https://forbiddenroom.co.uk/tag/fred-dalton-thompson/) - [Victor Salva](https://forbiddenroom.co.uk/tag/victor-salva/) - [Rose McGowan](https://forbiddenroom.co.uk/tag/rose-mcgowan/) - [Lin Shaye](https://forbiddenroom.co.uk/tag/lin-shaye/) - [Rance Howard](https://forbiddenroom.co.uk/tag/rance-howard/) - [Luna Lauren Vinez](https://forbiddenroom.co.uk/tag/luna-lauren-vinez/) - [Lesley Anne Down](https://forbiddenroom.co.uk/tag/lesley-anne-down/) - [Ray Wise](https://forbiddenroom.co.uk/tag/ray-wise/) - [From Beyond](https://forbiddenroom.co.uk/tag/from-beyond/) - [1986](https://forbiddenroom.co.uk/tag/1986/) - [Lovecraft](https://forbiddenroom.co.uk/tag/lovecraft/) - [Stuart Gordon](https://forbiddenroom.co.uk/tag/stuart-gordon/) - [Jeffrey Combs](https://forbiddenroom.co.uk/tag/jeffrey-combs/) - [Ted Sorel](https://forbiddenroom.co.uk/tag/ted-sorel/) - [Ken Foree](https://forbiddenroom.co.uk/tag/ken-foree/) - [Carolyn Purdy-Gordon](https://forbiddenroom.co.uk/tag/carolyn-purdy-gordon/) - [Chained](https://forbiddenroom.co.uk/tag/chained/) - [Abduction](https://forbiddenroom.co.uk/tag/abduction/) - [Kidnap](https://forbiddenroom.co.uk/tag/kidnap/) - [Jennifer Lynch](https://forbiddenroom.co.uk/tag/jennifer-lynch/) - [Vincent D'Onofrio](https://forbiddenroom.co.uk/tag/vincent-donofrio/) - [Eamon Farren](https://forbiddenroom.co.uk/tag/eamon-farren/) - [Evan Bird](https://forbiddenroom.co.uk/tag/evan-bird/) - [Julia Ormond](https://forbiddenroom.co.uk/tag/julia-ormond/) - [Jake Webber](https://forbiddenroom.co.uk/tag/jake-webber/) - [Conor Leslie](https://forbiddenroom.co.uk/tag/conor-leslie/) - [Antiviral](https://forbiddenroom.co.uk/tag/antiviral/) - [Disease](https://forbiddenroom.co.uk/tag/disease/) - [Brandon Cronenberg](https://forbiddenroom.co.uk/tag/brandon-cronenberg/) - [Caleb Landry Jones](https://forbiddenroom.co.uk/tag/caleb-landry-jones/) - [Lisa Berry](https://forbiddenroom.co.uk/tag/lisa-berry/) - [Malcolm McDowell](https://forbiddenroom.co.uk/tag/malcolm-mcdowell/) - [Sarah Gadon](https://forbiddenroom.co.uk/tag/sarah-gadon/) - [Douglas Smith](https://forbiddenroom.co.uk/tag/douglas-smith/) - [Body Modification](https://forbiddenroom.co.uk/tag/body-modification/) - [Plastic Surgery](https://forbiddenroom.co.uk/tag/plastic-surgery/) - [American Mary](https://forbiddenroom.co.uk/tag/american-mary/) - [The Soska Sisters](https://forbiddenroom.co.uk/tag/the-soska-sisters/) - [Katherine Isabelle](https://forbiddenroom.co.uk/tag/katherine-isabelle/) - [Antonio Cupo](https://forbiddenroom.co.uk/tag/antonio-cupo/) - [Tristan Risk](https://forbiddenroom.co.uk/tag/tristan-risk/) - [Clay St Thomas](https://forbiddenroom.co.uk/tag/clay-st-thomas/) - [Reboot](https://forbiddenroom.co.uk/tag/reboot/) - [John Luessenhop](https://forbiddenroom.co.uk/tag/john-luessenhop/) - [Alexandra Daddario](https://forbiddenroom.co.uk/tag/alexandra-daddario/) - [Tania Raymonde](https://forbiddenroom.co.uk/tag/tania-raymonde/) - [Scott Eastwood](https://forbiddenroom.co.uk/tag/scott-eastwood/) - [Trey Songz](https://forbiddenroom.co.uk/tag/trey-songz/) - [Dan Yeager](https://forbiddenroom.co.uk/tag/dan-yeager/) - [Gunnar Hansen](https://forbiddenroom.co.uk/tag/gunnar-hansen/) - [Texas Chainsaw 3D](https://forbiddenroom.co.uk/tag/texas-chainsaw-3d/) - [Leatherface](https://forbiddenroom.co.uk/tag/leatherface/) - [VHS](https://forbiddenroom.co.uk/tag/vhs/) - [V/H/S](https://forbiddenroom.co.uk/tag/v-h-s/) - [Tyler Gillett](https://forbiddenroom.co.uk/tag/tyler-gillett/) - [Justin Martinez](https://forbiddenroom.co.uk/tag/justin-martinez/) - [Glenn McQuaid](https://forbiddenroom.co.uk/tag/glenn-mcquaid/) - [Joe Swanberg](https://forbiddenroom.co.uk/tag/joe-swanberg/) - [Ti West](https://forbiddenroom.co.uk/tag/ti-west/) - [Adam Wingard](https://forbiddenroom.co.uk/tag/adam-wingard/) - [Calvin Reeder](https://forbiddenroom.co.uk/tag/calvin-reeder/) - [Lane Hughes](https://forbiddenroom.co.uk/tag/lane-hughes/) - [Hannah Fierman](https://forbiddenroom.co.uk/tag/hannah-fierman/) - [Kentucker Audley](https://forbiddenroom.co.uk/tag/kentucker-audley/) - [Killer Santa](https://forbiddenroom.co.uk/tag/killer-santa/) - [Christmas Evil](https://forbiddenroom.co.uk/tag/christmas-evil/) - [You Better Watch Out](https://forbiddenroom.co.uk/tag/you-better-watch-out/) - [Lewis Jackson](https://forbiddenroom.co.uk/tag/lewis-jackson/) - [Brandon Maggart](https://forbiddenroom.co.uk/tag/brandon-maggart/) - [Jeffrey DeMunn](https://forbiddenroom.co.uk/tag/jeffrey-demunn/) - [Dianne Hull](https://forbiddenroom.co.uk/tag/dianne-hull/) - [Andy Fenwick](https://forbiddenroom.co.uk/tag/andy-fenwick/) - [Mark Margolis](https://forbiddenroom.co.uk/tag/mark-margolis/) - [Stoker](https://forbiddenroom.co.uk/tag/stoker/) - [Park Chan-Wook](https://forbiddenroom.co.uk/tag/park-chan-wook/) - [Mia Wasikowska](https://forbiddenroom.co.uk/tag/mia-wasikowska/) - [Mathew Goode](https://forbiddenroom.co.uk/tag/mathew-goode/) - [Nicole Kidman](https://forbiddenroom.co.uk/tag/nicole-kidman/) - [Dermot Mulroney](https://forbiddenroom.co.uk/tag/dermot-mulroney/) - [Phyllis Somerville](https://forbiddenroom.co.uk/tag/phyllis-somerville/) - [Alden Ehrenreich](https://forbiddenroom.co.uk/tag/alden-ehrenreich/) - [Cops and Robbers](https://forbiddenroom.co.uk/tag/cops-and-robbers/) - [Welcome to the Punch](https://forbiddenroom.co.uk/tag/welcome-to-the-punch/) - [Eran Creevy](https://forbiddenroom.co.uk/tag/eran-creevy/) - [James McAvoy](https://forbiddenroom.co.uk/tag/james-mcavoy/) - [Andrea Riseborough](https://forbiddenroom.co.uk/tag/andrea-riseborough/) - [Peter Mullen](https://forbiddenroom.co.uk/tag/peter-mullen/) - [David Morrissey](https://forbiddenroom.co.uk/tag/david-morrissey/) - [Ruth Sheen](https://forbiddenroom.co.uk/tag/ruth-sheen/) - [Daniel Kaluuya](https://forbiddenroom.co.uk/tag/daniel-kaluuya/) - [Jason Flemyng](https://forbiddenroom.co.uk/tag/jason-flemyng/) - [Sea Monster](https://forbiddenroom.co.uk/tag/sea-monster/) - [Femme Fatale](https://forbiddenroom.co.uk/tag/femme-fatale/) - [Grindhouse](https://forbiddenroom.co.uk/tag/grindhouse/) - [Nelli Scarlet](https://forbiddenroom.co.uk/tag/nelli-scarlet/) - [Karli Madden](https://forbiddenroom.co.uk/tag/karli-madden/) - [Kate Watts](https://forbiddenroom.co.uk/tag/kate-watts/) - [Monstro!](https://forbiddenroom.co.uk/tag/monstro/) - [El Monstro Del Mar](https://forbiddenroom.co.uk/tag/el-monstro-del-mar/) - [Special Effects](https://forbiddenroom.co.uk/tag/special-effects/) - [Stop Motion](https://forbiddenroom.co.uk/tag/stop-motion/) - [Gilles Penso](https://forbiddenroom.co.uk/tag/gilles-penso/) - [Peter Jackson](https://forbiddenroom.co.uk/tag/peter-jackson/) - [Guillermo del Toro](https://forbiddenroom.co.uk/tag/guillermo-del-toro/)