Cult Tag Archive

DbD 2015Festival Coverage

Ava’s Possessions – DbD 2015

The exorcism sub-genre has successfully stood its ground time and time again in every mode of the horror genre, so it’s a tough place to make your voice heard. Even then, Jordan Galland’s Ava’s Possessions is an absolute treat, not least because there seems to be a lack of post-exorcism films.

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DVDReviews

Wyrmwood – DVD Review

Wyrmwood, the stunning debut feature from Kiah Roache-Turner is an impressive foray into the world of schlocky hand-made horror by a group of filmmakers dedicated to the ideals of Indy cinema. And it totally works.

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Festival CoverageSundance 2015

The Forbidden Room – Sundance 2015

Like a foreign lucky bag, you just don’t know what you’re getting with Guy Maddin’s latest feature The Forbidden Room. It looks like sweets and tastes like

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Festival CoverageSundance 2015

Hellions – Sundance 2015

Hellions, the latest from Canadian director Bruce McDonald is overwhelmingly disappointing considering how impressive his 2008 horror venture Pontypool was. On

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Festival CoverageSundance 2015

H. – Sundance 2015

H. written and directed by Rania Attieh and Daniel Garcia, was probably the most elusive film at Sundance 2015. A bizarre

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Festival CoverageSundance 2015

Reversal – Sundance 2015

Eve (Tina Ivlev) has been chained in a dismal basement for some time, the victim of an obsessive sexual predator, Phil

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Festival CoverageSundance 2015

The Witch – Sundance 2015

Robert Eggers debut feature as writer/director, The Witch, is the kind of abstract horror feature that can either flounder in

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Festival CoverageSundance 2015

What Happened Miss Simone? – Sundance 2015

Nina Simone is one of those people who requires no introduction, but after viewing Liz Garbus’ stellar documentary What Happened, Miss Simone?, you might be

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Festival CoverageSundance 2015

It Follows – Sundance 2015

Aside from its prologue, which introduces the threat and what it does, David Robert Mitchell’s It Follows presents a hazy kind of

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Blu-rayReviews

The Other

Robert Mulligan’s (To Kill a Mocking Bird) The Other cleverly disguises itself; a depression-era domestic tale of family on

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