Thriller Tag Archive
Frenzy
Frenzy, the penultimate film from Alfred Hitchcock, is a far cry from the director’s classics. Hitch had, after all, held a strangle hold on Hollywood for most of the 60’s. He defined cinematic espionage, the psychological thriller, even helped legitimize and popularize the horror film. But Frenzy offers a different kind of Hitchcock. It feels […]
Sick
It’s kind of mad that a new film written by Scream scribe and co-creator Kevin Williamson slipped out into the world unannounced this year. Sick, directed by John Hyams (director of the much loved, sadly overlooked Universal Soldier: Day of Reckoning), is a pandemic horror, something we’ll probably see a lot more of over the […]
Aniara – EIFF 2019
Earth is fucked. We all know that, and Sci-fi is increasingly interested in how to deal with how fucked we are. Aniara, from directors Pella Kagerman and Hugo Lilja, is an epic human-centric look at post-Earth life. Aniara starts off in a well-worn futuristic world where humanity is slowly being evacuated to communes on Mars […]
John Wick: Chapter 3 – Parabellum
Who would have thought back in 2014, that John Wick would survive to fulfil not one, not two, but three exhilarating action epics? Who would have thought that 5 years later we’d all be glued to our seats watching a 54 year-old Keanu Reeves stab, shoot, and bash his way through a world of deadly […]
Await Further Instructions
It’s almost impossible for British Horror to deal with class and racism now and not feel coloured by Brexit. Johnny Kevorkian’s second feature film, Await Further Instructions, doesn’t namecheck the political shambles, but
Halloween (2018)
The buzz around David Gordon Green’s Halloween has been insane. Fresh blood behind the lens, the blessings of franchise instigator/genre icon John Carpenter, and the return of Jamie Lee Curtis to a role that launched her career back in 1978. If you ignore Rob Zombie’s remake and it’s sequel,
First Reformed
Paul Schrader has had a reputation for weighty mainstream releases since penning the script for Taxi Driver in 1970.
Piercing – EIFF 2018 Review
Back in 2016 Nicolas Pesce wowed with his dark debut The Eyes of My Mother, now, two years later, he follows up with quirky
Hereditary
Ari Aster’s debut film has crawled under the skins of audiences all over the world by now. Hereditary’s simple, family-in-a-grief-vacuum, approach to genre filmmaking is a
Possum – EIFF 2018
Possum, the debut feature film from Mathew Holness, is a decrepit psychological horror indebted to the psycho-thriller hits of the 60’s and
